could have the benefit of each otherâs input.â
â
Input?
â Inspector Wilkinson enunciated the word with distaste. âWhen I want your input, Hughes, I will ask for it. Anyway, that hasnât really answered my question about how much you need to know.â
âTo put it at its most basic,â said the Sergeant with a note of exasperation in his voice, âif I donât know what weâre looking for in this surveillance, then Iâm not going to recognize it when I see it, am I?â
âA good answer.â Wilkinson nodded. âYes, a good answer â were it not for one small detail. A good copper, youâll find, will always notice that one significant detail in any scenario. Any idea what the detail might be in this case?â
âNo,â said the Sergeant, who didnât want to get caught up in elaborate guessing games.
âThe detail is that
you
âre not looking for anything.â The Inspector tapped his binoculars. â
I
am looking for things and telling you what I see.
You
are simply writing down what I tell you.â
âYes,â Sergeant Hughes agreed listlessly. He hadnât got the energy to point out that Wilkinson had so far missed the most important detail to have come up during their surveillance. They still had no idea what Veronica Chastaigneâs first visitor looked like.
âBut I will give you one piece of information relevant to the case . . .â the Inspector went on with new magnanimity.
âWhat?â There was now a spark of animation in the Sergeantâs eye.
âIt concerns criminals.â
âOh.â The spark was extinguished. âThank you very much, Inspector.â
Back in the big house, Toby Chastaigne was himself involved in surveillance. All the way through their supper he kept a watchful eye on his mother, his anxious scrutiny masked by a veil of solicitude.
âYou should eat more,â he said, as he watched her peck at a flake of salmon.
âWhy?â Veronica asked abstractedly.
âBuild yourself up,â Toby replied, as he reached across to replenish his plate with a mound of buttered new potatoes and dollops of mayonnaise.
âWhat for?â
Her son looked thoughtful, but decided not to answer this. He let a pause hang between them, then, with over-elaborate casualness, asked, âHave you done anything about the will yet?â Veronica looked up sharply, as he hastened to soften his bluntness. âI speak as an accountant, not as your son. This is the advice Iâd give to any of my clients. Itâs just that one has to be practical â one should always have all the loose ends neatly tied up.â
A pale smile came to Veronica Chastaigneâs thin lips. âThat could almost be your motto, Toby, couldnât it?â
He looked injured by the injustice of her implied slight. âMother, Iâm only thinking of you.â
âVery kind.â She smiled again, a kindly smile, though neither of them was in any doubt that the conversation was gladiatorial rather than benign. The courtesy was no more than a front. âThough I donât really see how . . .â Veronica went on lightly, âbecause loose ends arenât going to worry me too much, are they?â
âWell . . .â
âAfter Iâm dead,â she continued easily, âtheyâll be someone elseâs problem.â
Toby coughed in embarrassment, sending a fine spray of potato over his plate. âI wish you wouldnât talk about it, Mother.â
âWhy not?â asked Veronica, enjoying her sonâs discomfiture. âYou said you wanted me to be practical. Iâd have thought preparing for something you know is going to happen is extremely practical. And my death is certainly going to happen â in the not-too-distant future. You know, your father always used to sayââ
Toby raised an admonitory hand.