crescent-shaped, blond and black. The triangular, white-lined ears, with tall, dark guard hairs. The bend in her hind legs; the full, shapely thighs, similar, in a way, to a woman squatting. He studies sections, details. Her eyes, up close, are the colour of the Edwardian citrine brooch he bought her for her birthday.
He speaks quietly, says things she might want to hear, consolations. I am sorry. It will be all right. The day is lost. For much of it she sleeps. She sleeps curled on the floor. Her ribs palpitate. As dusk arrives he tries to eat, but can’t. He picks her up and carries her to the bed. She repositions and closes her eyes again. Gently, he lies down next to her. He puts a hand to her side, where she is reddest. The texture of her belly is smooth and delicate, like scar tissue; small nubbed teats under the fur. Her smell is gamey; smoky, sexual.
–Sophia, he whispers, don’t worry, though she is not, as far as he can tell, distressed.
He closes his eyes. Sleep, the cure for all catastrophes, will bring relief, perhaps even reversal.
When he wakes there is the faint lunar bloom of streetlight in the bedroom and she is gone. He starts up. He moves through the house, desperately, like a man searching for a bomb. No dream could ever be so convincing. He rushes downstairs, and at the bottom treads in something slightly crusted and yielding. Quickly, he searches on. He calls out her name, feeling ever more its falseness.
She is standing on the kitchen table, an unmistakable silhouette, cut from the wild. She is looking out of the French windows at the garden, the nocturnal world. She is seeing what alien sights? The fresnel lenses of owl’s eyes, luminous grassy trails, or bats blurting across the lawn? The grisly aroma of what he has trodden in rises to his nose. He wipes his foot on the carpet. He sits at the table and puts his head in his hands. She watches the garden.
Sunday. Monday. He fields phone calls from his and her places of work. He manages to lie convincingly, asks for personal leave. There is no milk. He drinks black tea. He eats cold soup, a stump of staling bread. He puts down bowls of water on the kitchen floor, but either she does not like the purity or the chlorine. He sits for hours, thinking, silent – every time he speaks he feels the stupidity of words. What has happened? Why? He is not able to unlock anything reasonable in his mind. She is in the house, a bright mass, a beautiful arch being, but he feels increasingly alone. He does not let her out, cruel as it seems, though she pays particular attention to the doors and vents where small drafts of outside air can be felt and smelled – he watches her sniffing the seal, gently clawing the frame. If this does not pass, he thinks, he will take himself to the doctor, or her to the veterinary – one of them will discover the truth, the contraspective madness. But then, how can he?
The sound of a key in the front door lock startles him. He has been lying naked on the bedroom floor while she patrols. It is Esmé, the cleaner. It is Thursday. Nine a.m. He pulls on a robe, dashes down the stairs, and catches her just as she is coming into the hallway, dropping her bag on the floor, the door gaping open behind her.
–No, he shouts. No! Go away. You have to go.
He puts a hand on her shoulder and begins to manoeuvre her backwards, towards the door. She gasps in shock at such treatment. Her employer is never home when she cleans – all she knows of him is the money he leaves on the table, the addressed letters she moves from doormat to counter, and it’s his wife who speaks to her on the phone. She barely recognizes him, and for a moment mistakes him for an intruder.
–What? What? Take your hands off. I, I’ll –
She is alarmed, he can see, at the blockade, at being handled by a dishevelled, undressed man. He gathers his wits, releases her arm.
–Don’t clean this week, Esmé. We have a terrible bug. It’s very contagious. I
Irene Garcia, Lissa Halls Johnson