legs
                            fingers clenched like claws.
Luke wrenched himself away from Mrs. Falala
with the practiced skill of an escape artist.
I know he wanted to say
Donât you touch me!
but he didnât.
That night in his yellow notebook
Lukeâs drawings included a skeletal
towering figure with a snake braid
and sharp metal claws
surrounded by a posse
of enormous hogs and menacing cats.
BEAT AND ZEP
I was leaning over the fence at the farm
watching a sturdy dark-skinned girl
maneuver a rope halter over the wide head
of a wide cow that protested
Moo! Mooooo!
The girl planted her boots in the muck
and angled her hip against the cowâs neck
urging the animal toward the rope loop
Moo-ooo!
The girl wore orange canvas overalls
and tall black rubber boots
and spoke to the cow all the while:
Come on, there you go,
donât be so stubborn, over here,
back it up, this way, you know how.
Nearby another teen
a tall, lanky redheaded boy
urged another cow out of a stall
coaxing it into a rope halter as well.
The boy called to the girl
Hey, Beat, Iâve got this oneâ
and she called back
Okay, Zep, thatâs goodâ
and it made me smile
those names
Beat and Zep
Zep and Beat
but when they looked up
and saw me watching
I turned away
embarrassed
I donât know why
and rode off down the hill
down Twitch Street
and past Mrs. Falalaâs house
where the flute music
drifted from the window
and the parrot squawked on the porch
and somewhere behind or beyond
was that soft moo, mooooo
but no hog and no cat that day.
EMPLOYMENT
Before we moved to Maine, my parents sent out piles of job applications to the coastal towns in which they most hoped to live. One of those applications resulted in a job offer for my mother, teaching English at a private school near this harbor town. Her job would start in September.
That is perfect! she said. It gives us a couple months to get settled first.
Dad was still looking for a job. Heâd been to lots of interviews and was hopeful that one of them would lead to work. He said he wanted to change direction and do something completely different, maybe something outdoors, maybe something with landscaping (he was good at that) or animals (Really? I knew he liked dogs, but that was about it) or painting (houses). He said he was open to anything, though.
If I can find something even part-time , he said, weâll be okay. Weâll have enough to pay the rent and put food in our mouths.
Luke said, But if you donât find a job, does that mean we wonât eat?
Hmm . He turned to Mom. Honey, we can always eat the children, I guess.
Luke went white. Whaaâ? Whaaâ? Whaat?
Dad had to spend the next half hour reassuring Luke that heâd been kidding.
MISTY MORNING
One misty morning Luke and I rode
along a cobbled wall
past a cemetery with tilting headstones
circling around the back side
of Birchmere Farm
with its pond and grass meadows
and graying, mossy fences
and clumps of cows grazing.
What are they thinking?
Luke asked.
Are they happy?
Why do they just stand there?
Donât their legs hurt
standing up all day like that?
Moo, mooooo.
First one, then several in unison.
Moo, mooooo.
What do you think theyâre saying, Reena?
Are they talking to themselves or to us?
Maybe , I said, theyâre talking about us .
Maybe theyâre saying
âLook at those two over there
staring at us like that.
What are they staring at?â
Mooooo.
In the area by the barn stalls
three cows in halters were tied
to the fence
their heads held high
their necks outstretched.
The redheaded boy named Zep
came up behind us as Luke asked me
Why are they tied funny like that?
Doesnât it hurt their necks?
Naw , Zep said, startling us both.
Itâs stretching them
getting those muscles