a mature man and married to a fine Mexican woman, Father and I had been forced to quit the country. The Mexicans had stolen our property and we could not stay. When my wife confronted the thought of moving to Montgomery, Alabama, with me, she couldn't stomach such an exile and divorced me.
It was then that I became a writer, though not a real writer like Scott Fitzgerald, who had also gone to Princeton; I was more like Richard Halliburton, another Princetonian more my age and type. I dabbled in travel books, never successfully, and debased myself by writing as-told-to junk. My magazine found me useful, because without a wife or children I could be dispatched on little notice to cover any hot subject that exploded in Asia, Africa or South America.
It had been in January of this year, 1961, that 1 caught a glimpse of the gray years that lay ahead of me. I had been in Havana trying to explain Castro's bewildering behavior during his first two years after overthrowing Batista. In 1958 and '59 I'd been a strong Castro supporter, living with him in the mountains, writing articles about him giving him moral support as he marched toward the capital, and rejoicing with his bearded ones as they captured Havana. After that it was all downhill. He lied to me, said he had never been a communist, swore he wanted peace with the United States and laughed at me when I asked: "Fidel, why are you breaking diplomatic relations with us?"
When my onetime hero revealed himself as such a liar and a fraud, I had to evaluate myself, to see if I was any better. What I saw during those three bad days in Cuba did little to reassure me. I had accomplished little. I'd written nothing that would last. I had no wife or children, and I was confused as to whether I was a Mexican or an American.
But as I stood beside the little concrete marker K. 303-- indicating the number of kilometers from Mexico City, about one hundred and eighty miles--I felt the good heat of Toledo upon me and suspected that I had done right in accepting the assignment. And when I looked past the marker and at the parched land I knew I had. I had always been fascinated by these cactus plants, with their burden of thick red dust, because for me they were the truest product of the Mexican soil. Unforgiving, bitter and reluctant, they etched themselves against the dark blue sky and stood like gaunt cathedrals. I loved their awkward angularity, the fact that they offered no concession to anyone, and that year after year they were the same. They were very Mexican, these perpetual cactus bushes. Oftentimes an Indian farmer would surround his little plot of land with them, and then the goats had better beware. At first sight they seemed worthless for anything except for functioning as improvised fences, and yet it was they that gave character to the land; without the cactus bushes this would not be Mexico.
One of my earliest fancies had been associated with these unruly and forbidding plants. At about the age of six I developed the idea that my father was controlled by an unseen cactus plant, had indeed sprung from one. He was an angular man, and his sharp beard, when unshaved, resembled the spines I had so often tested. He had both the ruggedness of the cactus and its essential strength. I often thought of him as standing solitary against the sky, the way the cactus did, and in later years when the city of Toledo erected a granite monument to him, that is how his statue stood. Like the cactus, my father had a majestic beauty of his own, and it sprang directly from his unyielding rectitude, for he was one of the best administrators Mexico has ever known. When I was a senior at Princeton with time to restudy my father's famous book I realized that it, even more than he, had a kinship with the cactus. It was sharp, angular, lacking in flowery rhythms, but it achieved a local immortality primarily because it did stand alone, like an isolated cactus bush. It was a completely self-inspired book,