sitting on the floor was peeling an orange, a man ina doorway bent over to brush something from his shirt front, someone was smoking a perfumed cigarette. A few faces turned toward Martin and then looked away. He had the strange, melancholy sense that something terribly wrong was happening, it was as if he had stepped into someone’s dream, but already Charley was tugging at his arm and whisking him back along the way they had come. In the elevator, which suddenly began to fall, so that Martin stumbled back against a bench, Charley explained that a troupe of actors and actresses had rented a row of rooms on the fifth floor. They liked to rehearse at strange hours, sometimes they didn’t come in till four in the morning, you saw all kinds of queer things in this line of work, and as Martin stepped out into the hot sunlight of the street he recalled with sudden vividness a curious detail: through one of the half-open doors he had seen the corner of a bed with a pair of crossed feet on it, one of which was naked and white and one of which wore a shiny black button-up shoe.
West Brighton
A LTHOUGH M ARTIN ’ S FATHER KEPT THE STORE open fourteen hours a day, six days a week, once a year during the hottest part of the summer he put up a sign in the window and took his family to West Brighton for three days. Almost to the moment of departure his father gave no hint that anything extraordinary was about to happen, but at closing time on the evening before the holiday he put up his sign in the window, and that night there was a great scraping of drawers and clicking of luggage locks. The next morning Martin would wake eager to crank down the dark green awning and roll out old Tecumseh into the shade, and as the knowledge of the holiday entered him he felt fora moment a little burst of disappointment, before excitement seized him.
Martin liked the sound of the reins slapping the cabhorse, the thump of baggage on the roof over his head, the shaking bouncing seat and the shaking bouncing window from which he looked out at buildings that bounced and shook in the rattle of high wheels and the bang of horsefeet. At the ferryhouse there was a smell of tar and fish. Masts stuck up over the roof. The fat tower of the almost completed bridge rose into the sky like a gigantic hotel. On the other side of the ferryhouse he looked down through spaces in the planking at the green-black water under his feet. Gulls lazed in the sky on motionless outspread wings. Gulls floated on the gleaming dark water like wooden shooting-gallery ducks. Suddenly the ferry lurched backward. Martin stood at the side rail feeling the spray on his face and taking in the bright red ferries, the sun sparkling on the black coalheaps of the barges, the thick cottony smoke-puffs from the tugs, the trawlers at the fishmarket, the sand scows, the high three-masters thick with rigging like floating telegraph poles. A man held a red lunchpail that grew smaller and smaller. When Martin turned his head he saw the ferryhouse on the other side getting bigger and bigger. A bell banged. There was a jolt as the engine reversed, chains rattled—and no sooner had Martin stepped onto the planks of the wharf than the loading gates of the ferryhouse swung open and men and women rushed from the waiting room toward the ferry. In the street on the other side of the ferryhouse there were snorting cabhorses and horsecars ontracks and two-wheel pushcarts heaped with bananas and hats and apples under big umbrellas. The tower of the great bridge rose over the top of the ferryhouse. In a horsecar with screeching wheels and a clanging bell they rushed along the streets of the other city, the one that was always unaccountably there, on the wrong side of the river. It was too much, too much—the whole world was trembling—at any moment it would crack apart—but already they were climbing into a steam train, already they were hurtling along in the Prospect Park & Coney Island Railroad, soon the