Margaret Thatcher: The Autobiography Read Free

which even now is never far from reach. Methodism itself, of course, has, in the form of the Wesley hymns, some really fine religious poetry.
    Religious life in Grantham was very active and, in the days before Christian ecumenism, competitive. There were three Methodist chapels, St Wulfram’s Anglican church – the sixth-highest steeple in England, according to local legend – and a Roman Catholic church just opposite our house. From a child’s standpoint, the Catholics seemed to have themost light-hearted time of all. I used to envy the young Catholic girls making their first communion, dressed in white, ribboned party dresses, and carrying baskets of flowers. The Methodist style was much plainer, and if you wore a ribboned dress an older chapel-goer would shake his head and warn against ‘the first step to Rome’.
    Even without ribbons, however, Methodism was far from dour. It placed great emphasis on the social side of religion and on music, both of which gave me plenty of opportunities to enjoy life, even if it was in what might seem a rather solemn way. Our friends from church would often come in to cold supper on Sunday evenings, or we would go to them. I always enjoyed the adults’ conversation, which ranged far wider than religion or happenings in Grantham to include national and international politics. And one of the unintended consequences of the temperance side of Methodism was that Methodists tended to devote more time and attention to eating. ‘Keeping a good table’ was a common phrase, and many of the social occasions were built around tea parties and suppers. There was also a constant round of church events.
    It was, I confess, the musical side of Methodism which I liked best. We sang special hymns on the occasion of Sunday School anniversaries. The Kesteven and Grantham Girls’ School (KGGS) carol service – and the weeks of practice which preceded it – was something I always looked forward to. Our church had an exceptionally good choir. Every other year we would perform an oratorio: Handel’s
Messiah
, Haydn’s
Creation
or Mendelssohn’s
Elijah.
We would have professionals from London to sing the more difficult solo parts. But what made an impression on me was the latent richness of musical talent which serious training and practice could develop. My family also belonged to a music society and three or four times a year there would be a chamber music concert.
    We were a musical family. From the age of five my parents had me learn the piano: my mother played too. In fact, I turned out to be quite good, and I was fortunate enough to have excellent teachers and won several prizes at local music festivals. The piano on which I was taught was made by my great uncle, John Roberts, in Northampton. He also made church organs. When I was ten I visited him and was thrilled to be allowed to play one of the two he had built in a cavernous barn-like building in his garden. Sadly, at sixteen I found it necessary to stop music lessons when I was cramming for my university entrance, and I still regret that I never took the piano up again. At this time, however, it was I who played the piano at home, while my father (who had a good bass voice)and mother (a contralto) and sometimes friends sang the old favourites of an evening – ‘The Holy City’, ‘The Lost Chord’, Gilbert and Sullivan, etc.
    Perhaps the biggest excitement of my early years was a visit to London when I was twelve years old. I came down by train in the charge of a friend of my mother’s, arriving at King’s Cross, where I was met by the Rev. Skinner and his wife, family friends who were going to look after me. The first impact of London was overwhelming: King’s Cross itself was a giant bustling cavern; the rest of the city had all the dazzle of a commercial and imperial capital. For the first time in my life I saw people from foreign countries, some in the traditional native dress of India and Africa. The sheer volume of traffic and