daughter she had smiled and looked at him with her nice eyes, and he could sense that the small anecdotes raised him in her feminine esteem. That embarrassed him, and he shied away from talking to her like that. Her encouraging gaze and understanding smile made him feel pathetically disarmed.
He lit a cigarette. Andreas Barkâs masculine but painfully vulnerable face came to mind again. He didnât know what he should have said to him. After all, his wife was not dead. With a bit of luck and a few monthsâ rehabilitation she would be able to go on, blind but alive. The untold marital drama being acted out behind the manâs tragic mien and her refusal to see him was a far cry from his medical field of action.
Throughout his years as a doctor it had often occurred to him that it was the reverse side of life with which he was occupied, the side with the seam. Just like tailors of old who had only an indirect glimpse of the glittering world of fine ladies, it was the sad moments in peopleâs lives that he shared with them, when some functional fault or accident prevented them from getting on with their dramatic or uneventful existence.
After he had moved to the provinces and by degrees accustomed himself to his new and quieter lifestyle, he had to admit that Monica had been right when she reproached him for not being more ambitious. Naturally he wanted to be proficient, and he did try to improve, but he never dreamed of being a virtuoso. The appointment at a provincial hospital was anything but progress in his career, and he discovered, to both his surpriseand relief, that he didnât mind. The hospital was the innermost sphere in his world, it was there he spent most of his time, and it was from there that he looked out on the world where other people moved. Now and again they passed through his, but to them that was an unpleasant parenthesis, which they hastened to forget as soon as they escaped.
Their lives were not his concern, only their bodies, and he had grown used to working with the human body as a closed circuit separate from the life it lived. The organism was sufficient to itself and unaffected by the dreams and ideas raging within it. That was an idea he found encouraging. He liked his work, he liked vanishing into it, completely engrossed in finding out what was wrong with people, and what should be done about it. He liked observing how every aim for beauty and social status was irrelevant when it came to the bodyâs own solitary life, the vegetation of the organs in time to the soft, meaningless rhythm of the pulse. In his eyes the anonymous innocence of the interior organs offset the broken illusions of the exterior, socialised body, its ugliness, obesity and wear and tear. But the anonymity of the organs was also a cunning commentary on the spoilt, exacting beauty of other and luckier bodies.
One day he had shown Lea an anatomical atlas with detailed colour plates. He described what she was looking at and carefully explained the function of the organs, but she wrinkled her nose and asked him to close the book. She thought the pictures were distasteful and protested when he reminded her that she herself looked like that inside, like everyone else, whether they were beautiful or ugly. It amazed him that the interior of the body could be as terrifying as its exterior seemed seductive. Perhaps it was not the organs that caused the disgust but the anatomical dissecting gaze that by revealing them so matter-of-factly also showed how vulnerable they were.
To the patients the hospital was an ominous place with its clinical atmosphere of linoleum, white coats, disinfectant and rust-free steel, and all of them had the same anxiety in their eyes, whether they tried to hide it or give it free rein. Hospital reminded them that whatever happened they would have todie sometime, regardless of how many wiles the doctors used to stave off the inevitable. When they relinquished themselves to his
JJ Carlson, George Bunescu, Sylvia Carlson