doubt it,â replies Bliss as he joins the applause for the newlyweds. âThis is pretty small potatoes compared to the adventure you two have cooked up.â
âDid I mention the Orinocoâ¦â starts Daphne, but Bliss shushes her as the groomâs brother coughs into the microphone and brings the room to silence.
âIt is my duty as the best man at this weddingâ¦â he begins and is met with a concerted groan from the floor. âAll right⦠All Iâm going to say is that when theCommissioner called for better co-operation between his senior officers and the legal profession, I donât think he had bonking in mind.â
The rain has intensified as Minnie sets her sights on her final destination â Westchesterâs stately railway station with its elegant glass canopy supported on cast-iron pillars â and she is so focused on the journey ahead that she takes no notice of Stapletonâs shadowy figure lurking behind her as she skirts the brightly illuminated main entrance and heads for the goods yard.
âSo⦠Chief Inspector. Have I missed the best bits?â asks an unwelcome voice as the speeches end, and Bliss spins to find Chief Superintendent Michael Edwards on his shoulder.
âOh. You made it, sir,â says Bliss, trying hard to keep disappointment out of his tone.
âI thought I should show the flag, Dave. Esprit de corps and all that. I just hope Iâm not too late to toast the happy couple.â
âEsprit de corps,â echoes Bliss sourly as Edwards paints on a smile and makes his way towards the newlyweds.
Inspector Williams creeps up behind Bliss, saying, âHeâs gotta bloody nerve.â
âBe nice, Mick,â says Bliss. âYou know â the way weâre supposed to treat villains nowadays.â
âItâs easy for you to say that, flying a desk at the Yard. Anyway, you spend so much time out of the bloody country you never have to deal with the bastard.â
âTut-tut, Mick,â cautions Bliss, though he has no intention of defending the senior officer. Neither is hegoing to defend his cushy job liaising with Interpol, though heâs conscious of the jaundiced eyes of some of his colleagues.
âSo. How do you like shuffling papers, Dave?â asks Williams.
âItâs okay,â Bliss says with little enthusiasm, âbut I think Iâd rather be out chasing scum.â
Thatâs not true,
Bliss acknowledges to himself as Williams wanders away. And he drains his Dom Pérignon, thinking,
The truth is youâd rather be back in France, dancing in the Mediterranean moonlight with a certain Provençal popsy named Daisy. Sheâs still there, waiting for you.
I know.
So, whatâs stopping you? Youâre forty-seven now. Your hairâs beginning to slip south along with the flab.
Itâs not that bad.
Give it time.
Itâs impossible and you know it. Sheâll never leave there â what about her mother and grandmother?
Have you asked her?
âDavid⦠David,â a persistent voice breaks into his musings and he finds Daphne on his arm.
âThe bandâs starting. How about the first dance?â
âWhy not?â he says, though canât help wishing that it were Daisy.
In Westchester, at the railway station, Minnie has plotted her path, and she slips past the âStaff Onlyâ sign at the goods entrance and onto the platform without looking back. Her slight figure registers hazily on the platformâs rain-fogged security camera in the signalmanâs box just off the end of Platform One, but is unseen by Robert Mackellar, the duty signalman, as he fills his teapot froma boiling kettle, turns up the radio and auditions for a baritone part with the Merthyr Tydfil male voice choir.
â
Tonight⦠Tonight⦠Wonât be just any nightâ¦
â he sings to an audience of switches and monitors high above the
Irene Garcia, Lissa Halls Johnson