sometimes if the appearance, in 1968, of my first book, Once , poems largely about my experiences in the Civil Rights movement and in other countries, notably African and Eastern European, surprised him. It is frustrating that, because he is now dead, I will never know.
In fact, what I regret most about my relationship with my father is that it did not improve until after his death. For a long time I felt so shut off from him that we were unable to talk. I hadn’t the experience, as a younger woman, to ask the questions I would ask now. These days I feel we are on good terms, spiritually (my dreams of him are deeply loving and comforting ones), and that we both understand our relationship was a casualty of exhaustion and circumstances. My birth, the eighth child, unplanned, must have elicited more anxiety than joy. It hurts me to think that for both my parents, poor people, my arrival represented many more years of backbreaking and spirit-crushing toil.
I grew up to marry someone very unlike my father, as I knew him—though I feel sure he had these qualities himself as a younger man—someone warm, openly and spontaneously affectionate, who loved to talk to me about everything, including my work. I now share my life with another man who has these qualities. But I would give a lot to be able to talk grownup to grownup with Daddy. I’d like to tell him how hard I am working to understand. And about the humor and solace I occasionally find (while writing The Color Purple, for instance, in which some of his early life is imagined) in the work.
My father
(back blistered)
beat me
because I
could not
stop crying.
He’d had
enough “fuss”
he said
for one damn
voting day. *
In my heart, I have never wanted to be at odds with my father, but I have felt, over the years, especially when I was younger, that he gave me no choice. Perhaps if I could have relaxed and been content to be his favorite, there would have been a chance for closeness, but because a sister whom I loved was clearly not favorite material I did not want to be either. When I look back over my life, I see a pattern in my relationships going back to this, and in my love relationships I have refused men who loved me (at least for a time) if they in turn were loved by another woman but did not love her in return. I am the kind of woman who could positively forbid a married lover to leave his wife.
The poem above is one of my earliest as an adult, written after an abortion of which my father would not have approved, in which I felt that visceral understanding of a situation that for a poet can mean a poem. My father far away in the South, me in college in the North—how far away from each other! Yet in the pain of the moment and the illumination of some of what was wrong between us, how close. If he ever read the poem, I wonder what he thought. We never discussed my work, though I thought he tended to become more like some of my worst characters the older he got. I remember going home once and being told by my mother of some of the curses he was capable of, and hardly believing her, since the most I’d ever heard my father say was “God damn!” and I could count the number of times on toes and fingers. (In fact, his favorite curse, when a nail refused to go in straight or he dropped the hammer on his sore corn was “God damn the goddam luck to the devil!” which always sounded rather ineffectual and humorous to me, and which, thinking of it, I hear him say and see his perspiring dark face.)
Did he actually beat me on voting day? Probably not. I suppose the illegal abortion caused me to understand what living under other people’s politics can force us to do. The only time I remember his beating me was one day after he’d come home tired and hungry from the dairy (where he and my brothers milked a large herd of cows morning and afternoon), and my brother Bobby, three years older than me and a lover of chaos, and I were fighting. He had started
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