Let Me Finish

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Book: Let Me Finish Read Free
Author: Roger Angell
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poured it and pushed it carefully to the side—"coffee, hot coffee"—he made a happy sniffing sound, at the Maxwell Houseness of it—"and over here our hot milk"—little finger waves to show heat rising—"to put into the hot coffee. Is that clear?" But of course it wasn't.
The waitress, bewildered by this mixture of mime and command and terrified by the lawyerly glare in his dark eyes, had long since paused with her pencil. What Father got was generally coffee with cold milk in the pitcher, or coffee and boiling water, or, at least once, iced coffee. It never came out right. We shook our heads helplessly, knowing that he wasn't cruel or unfeeling: he just liked things nice.
    That night, in Kansas, Father held to course, upright at the wheel through the eight- or ten-mile straightaways, with the bright headlights forming—for me, in back—an outlined silhouette of his ears and bald head and strong forearms. I would fall asleep, and when I woke again it would be Nancy driving and smoking, with Father asleep on the right-hand seat and Barbara asleep beside me in back. The night air rushed in about us through the tilted wind portals at the front of the front windows and the smaller ones in back (we were in the zippy Terraplane that Tex and I had brought from Detroit), and with it the hot, flat scent of tall corn; a sudden tang of skunk come and gone; the smell of tar when the dirt roads stopped, fainter now with the hot sun gone; and, over a rare pond or creek as the tire noise went deeper, something rich and dank, with cowflop and dead fish mixing with the sweet-water weeds. I had a Texaco road map with me in back, and when we came through a little town or stopped at a ringing railroad crossing I got out my flashlight and tried to follow the thin blue line of our passage: Chapman and WaKeeney, Winona, and now—we must have turned south a bit—Sharon Springs. I fell asleep again. Sometime in the night, my hand found Barbara's hand and held on. When I awoke
with the first sun behind us, we'd climbed out of the heat, and the field dirt around us had a redder hue. "Colorado," Father said softly. I lay back in my nest and Barbara's hand came out from under her thin Mexican blanket and took mine once again. That morning, we went through La Junta and Trinidad and over the Raton Pass into New Mexico. (We'd stopped earlier at a lookout where four different states were visible, surely, in the haze to the east and south.) The Sangre de Cristos came into view and the first soft-cornered adobe houses, and that night we ate at La Fonda with my Aunt Elsie, who worked for the Indian Bureau, and had Hopi snake dances and San Ildefonso pottery-makers and Mabel Dodge Luhan in store for us in the coming weeks. Almost the best part was still ahead.
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    I learned how to drive early, and in June of 1936 sent five dollars to the Bureau of Motor Vehicles in Augusta, Maine, along with a note saying, "I am fifteen. Please send my license in enclosed envelope." That was all it took. I appropriated the Whites' yellowy old Plymouth roadster, with its splayed fenders, wooden-spoke wheels, cracked leather front seat, and leaky ragtop roof. (I carried a thick roll of Johnson & Johnson adhesive tape under the seat, for rainy-day patch-ups.) There was a little hole in the floorboards, near the brake pedal, and if you glanced down there on a daytime errand you could see the grainy macadam streaming by under your foot. Soon I was taking girls to the movies on Tuesday or Saturday nights, upstairs at the Town Hall in Blue Hill, or to the Grand, in Ellsworth. I kept my headlights on low beam on foggy nights, suavely navigating
through sudden thick blankets of damp, and found quiet places to park in East Blue Hill or out on Naskeag Point. I had become Andy Hardy. Making out in parked cars puts me into the movies or into a thousand cartoons, but what memory presents about these chilly long-gone summer evenings is the first five

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