spacey."
"He does?" She raised her eyebrows. "Well, it is summer. The heat gets to him, you know. You should see the hairballs he coughs up."
I looked back outside. "Norman does?"
"The cat," she said. "Cat Norman." She pointed under a chair by the door where he'd settled himself and was now licking his back leg, loudly.
"Oh," I said. "I thought you meant..."
"Oh, Norman," she said, and then she burst out laughing, one hand covering her mouth. She had deep dimples, like a child's. "Oh, no, not that Norman. I mean, he might have hair-
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keeping the moon
balls, with all that long hair of his. But I've never seen him coughing anything up...."
"I just didn't know," I said in a low voice, and I had that sudden flash that I was fat again, could feel it on me, like I always did when someone laughed at me.
"Well," she said, linking her arm in mine, "it's an honest mistake. Cat Norman was, after all, named after Norman Norman. They are so much alike in temperament. Not to mention they both move slower than molasses."
"Norman Norman," I repeated, as we stepped into the back room. It was big and sunny and, like the porch, ran the length of the house. On the TV another match was in progress, with two small redheaded men in black trunks circling each other.
"But I need them both desperately," Mira said dramatically, glancing at the TV and then back at me. "If Norman Norman didn't live downstairs I'd have no one to open jars for me, and Cat Norman is my baby."
"Norman lives downstairs?" I said.
"Oh, yes," she said easily, sitting down in the overstuffed chair across from the television and folding the kimono neatly over her legs. On the wall was a large painting of Mira and Cat Norman sitting on the grass in front of the house. In the painting she had on a white dress and pink sunglasses shaped like stars; she was smiling. Cat Norman was beside her, his back arched as her hand brushed over him. "He stays in the downstairs room. He's no trouble. I forget he's there half the time."
As I sat down I took in the view of the ocean, the water blue and sparkling. There was a path that led down to the beach, and
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when I craned my neck I could see an open door and then Norman, dragging one of the headless mannequins. To the right of the path I could see a smaller house, painted the same white as Mira's. There was a clothesline beside it, with a row of brightly colored clothes flapping in the wind.
"So," she said, settling back in her chair. "How was the trip?"
"Good."
"And your mother?"
"Good."
She nodded, flashing her dimples. "Did that hurt?"
"What?"
"That thing in your lip," she said. "Ouch."
"No," I told her. "It didn't."
She nodded again. We were running out of topics. I glanced around the room. Everything was old, with a kind of tacky charm, and in need of some sort of repair: a rocking chair missing a few back slats, a small chest of drawers with faded pink paint and no knobs, a cracked fishtank full of seashells and marbles.
And then, as I looked more closely, I saw the notes. Just like the one out front, they were on index cards, written in nice block printing. window sticks on left side, it said next to the back door. center light switch does not work was posted by a switchplate on the other side of the room. And, taped to the TV set, right by the channel knob, my personal favorite: jiggle to get 11.
It was going to be a long summer.
"Oh, my!" Mira said suddenly, startling me. She lurched forward
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in her chair toward the television; like the cat, it took a second for everything to catch up. "Just look at that horrible El Gigantico. This isn't even his match and he's going in to attack that poor little Rex Runyon."
"What?" I said, confused.
"Look!" She pointed toward the screen. "El Gigantico's girlfriend, Lola Baby, left him for Rex Runyon last week. And now he's going to beat poor Rex to a pulp. Oh, no. Why don't the referees stop him? It's just ludicrous."
I just looked at her; she was leaning