can do my best to not let any emotions show, keep my eyes from revealing anything, bulk up my muscles, but there's not much I can do about my looks. I'm stuck with my father's long, thick eyebrows and the deep lines between them. I could probably kill him if I wanted to—I'm sure strong enough—and I can erase my mother from my memory. But there's no way to erase the DNA they passed down to me. If I wanted to drive that away I'd have to get rid of me.
There's an omen contained in that. A mechanism buried inside of me.
A mechanism buried inside of you.
I switch off the light and leave the bathroom. A heavy, damp stillness lies over the house. The whispers of people who don't exist, the breath of the dead. I look around, standing stock-still, and take a deep breath. The clock shows three p. m., the two hands cold and distant. They're pretending to be noncommittal, but I know they're not on my side. It's nearly time for me to say good-bye. I pick up my backpack and slip it over my shoulders. I've carried it any number of times, but now it feels so much heavier.
Shikoku, I decide. That's where I'll go. There's no particular reason it has to be Shikoku, only that studying the map I got the feeling that's where I should head. The more I look at the map—actually every time I study it—the more I feel Shikoku tugging at me. It's far south of Tokyo, separated from the mainland by water, with a warm climate. I've never been there, have no friends or relatives there, so if somebody started looking for me—which I kind of doubt—Shikoku would be the last place they'd think of.
I pick up the ticket I'd reserved at the counter and climb aboard the night bus.
This is the cheapest way to get to Takamatsu—just a shade over ninety bucks. Nobody pays me any attention, asks how old I am, or gives me a second look. The bus driver mechanically checks my ticket.
Only a third of the seats are taken. Most passengers are traveling alone, like me, and the bus is strangely silent. It's a long trip to Takamatsu, ten hours according to the schedule, and we'll be arriving early in the morning. But I don't mind. I've got plenty of time. The bus pulls out of the station at eight, and I push my seat back. No sooner do I settle down than my consciousness, like a battery that's lost its charge, starts to fade away, and I fall asleep.
Sometime in the middle of the night a hard rain begins to fall. I wake up every once in a while, part the chintzy curtain at the window, and gaze out at the highway rushing by. Raindrops beat against the glass, blurring streetlights alongside the road that stretch off into the distance at identical intervals like they were set down to measure the earth. A new light rushes up close and in an instant fades off behind us. I check my watch and see it's past midnight. Automatically shoved to the front, my fifteenth birthday makes its appearance.
"Hey, happy birthday," the boy named Crow says.
"Thanks," I reply.
The omen is still with me, though, like a shadow. I check to make sure the wall around me is still in place. Then I close the curtain and fall back asleep.
Chapter 2
The following document, classified Top Secret by the U.S. Department of Defense, was released to the public in 1986 through the Freedom of Information Act. The document is now kept in the National Archives in Washington, D.C., and can be accessed there.
The investigations recorded here were carried out under the direction of Major James P. Warren from March to April 1946. The field investigation in [name deleted] County, Yamanashi Prefecture, was conducted by Second Lieutenant Robert O'Connor and Master Sergeant Harold Katayama. The interrogator in all interviews was Lt. O'Connor. Sgt. Katayama handled the Japanese interpreting, and Private William Cohen prepared the documents.
Interviews were conducted over a twelve-day period in the reception room of the [name deleted] Town town hall in Yamanashi Prefecture. The following witnesses