Jane Haddam - Gregor Demarkian 12 - Fountain of Death Read Free

always said. “Jean is much too French. She’s never going to know what kind of person she’s destined to be.”
    Actually, Magda Hale had always known quite well what kind of person she was destined to be. She knew everything there was to know about destiny by the time she was five, because her mother was addicted to the idea. Susan Burnham Hale was a True Believer without a True Religion to anchor her. She drifted from spiritualism to mesmerism to Theosophy to astrology the way the other women on their block drifted from one brand to another of dishwashing detergent. This was back in 1942, in Kettleman, New York, where Magda grew up. The men were all away in the War and the women and children were wedded to their radio sets, hoping for a scrap of cheerleading or news. Susan Hale had been a Seeker long before this. She had worn a little net sack around her neck under her wedding dress, containing two slivers of garlic, a sprig of rosemary, and a half-drowned nettle plant. She had attended the christening of her own daughter with a juju bag stuffed inside her purse. She had bought the juju bag from a lady she had gone to in New York, who claimed to be a gypsy fortune-teller and a voodoo expert as well. If Susan had known anything at all about voodoo, she would have known that the woman had to be lying. Magda didn’t think her mother would really have cared. What mattered to Susan was not the efficacy of the magic. Susan didn’t believe that anything was truly effective against Fate. What mattered to Susan was the rigid, unyielding nature of the universe itself. Everything was set in eternity and in advance. No amount of effort or talent or will or hope or prayer had any effect at all against the blind force of the universal will. If Susan had been a Christian, she would have been a Calvinist. She would have believed that God destines the great majority of people to hell before they are ever born and that nothing on earth was strong enough to thwart His omnipotent destructiveness.
    Magda Hale’s universe was not rigid, or unyielding, or controlled by destiny. It was a very fluid place where actions very seldom had consequences and no deed was so irreversible that it could not be undone. Magda Hale had a horror of all things final. The idea of death made her sick to her stomach—not because it meant the end of consciousness, but because there didn’t seem to be any way to escape from it. Escape, to Magda, was the key. Life and death, good and evil, health and disease, none of it mattered in itself to Magda. All that mattered was the extent to which any part of it was inevitable.
    “You’re going to be a plain woman when you grow up,” Susan Hale had told her daughter. “You’re just going to have to learn to live with it.”
    Standing in the middle of this large room with its formal bar on one side and its collection of mock-French empire chairs on the other, Magda didn’t think there was anyone left on earth who would have called her plain. She was a small woman, but she was very slender and very delicate. She looked, her husband Simon Roveter sometimes said, like a high-fashion line drawing from the 1920s come to life. In spite of the fact that she didn’t have the stature, she had the composition. Everything about her was elongated and tapering. Even her face was long and thin. Magda made it look longer and thinner by wearing her hair piled on top of her head. She made her eyes look wider and bluer by ringing them with eyeliner and highlighting them with pastel powders. She made her lips look fuller by painting them past their natural outlines. She left nothing to chance, and because she didn’t, she never had to bend to the will of her mother’s all-powerful nature.
    Until now. The room Magda Hale was standing in was the formal living room of a house on Edge Hill Road in New Haven, Connecticut. The house belonged to one of the minor investors in the Fountain of Youth Work-Out Studio, whose wife had decided