'I'd like to see Mr Sinclair,
please,' she said with a trace of crispness.
'He's in Galway, and won't be back till night. I'll take you to the
madam.' The woman continued across the hall, to another pair of
double doors, and shouldered her way through them, indicating that
Sandie should follow.
It was a big room, filled comfortably with sofas and chairs in faded
chintz. A turf fire blazed on the hearth, and a woman was sitting
beside it. She was dark-haired, with a vivid, striking face, lavishly
made up, and was wearing a smart dress in hyacinth blue silk, with a
wool tartan scarf wrapped incongruously round her neck. Sandie
recognised her instantly and nervously.
'Here's the young lady come to play the piano for Mr Crispin,' the
woman who'd shown Sandie in announced, setting the tray down on
an occasional table.
Sandie found herself being scrutinised from several directions—by
the woman beside the fire, by a tall, dark girl, bearing a strong
resemblance to Crispin, and also by two children, a boy and girl
barely in their teens, bent over a jigsaw puzzle at another table.
'Oh, dear,' Magda Sinclair said at last. 'Oh, dear. This is too bad of
Crispin. This really won't do at all.'
Sandie knew an ignominious and overwhelming urge to burst into
weary tears. She'd set out with such high hopes, and come all this
way, and now Crispin wasn't here, and his mother disliked her on
sight. She remembered Crispin had said she was temperamental.
'Now, now, Mother.' The dark girl got up from the window seat
where she'd been sprawling, and came forward. 'The poor kid will
think she's landed in a lunatic asylum!' She held out her hand.
'Hello, I'm Jessica Sinclair. Welcome to Killane. This, as you
probably realise, is Magda Sinclair, and the brats are James and
Steffie.' Sandie swallowed. 'How do you do. I'm Alexandra
Beaumont.' She was beginning to feel like something in a zoo.
Magda Sinclair seemed to shake herself, and got up. 'I'm sorry, my
dear, if we seem a little odd, but we just didn't expect you to look
so—so...'
'Young,' her daughter supplied, with a hint of dryness, giving Sandie
the impression this was not what Magda Sinclair had intended to say
at all.
'Yes, of course,' Mrs Sinclair said. She gave Sandie a brief smile. 'I
expect you've had a terrible journey. Why don't you let Bridie show
you .your room, then come down and have some tea with us.'
Sandie had been expecting to be shown the door, rather than the
place where she was to sleep.
She said, 'Thank you. That would be marvellous.'
Bridie led the way back into the hall. As Sandie followed, the strap
of her bag caught on the ornately carved doorknob, and she paused
to disentangle it.
Through the half-open door, she heard Jessica Sinclair say in a low
voice, 'Don't look so worried, Mother. Everything will be fine.' She
paused, adding flatly, 'Just as long as Flynn stays a thousand miles
away.'
CHAPTER TWO
SANDIE-S room was at the back of the house. Vast and high-
ceilinged, it contained a cavernous wardrobe in walnut with elegant
brass handles, and a matching dressing-table, tallboy and old-
fashioned bedstead of equally generous proportions. Sandie felt
almost dwarfed as she unpacked and put her things away.
Tea had been an awkward meal. Having behaved so strangely when
she arrived, the Sinclairs now seemed embarrassingly over-eager to
put her at her ease, Sandie found ruefully. In spite of that, she'd
managed to drink two cups of the strong, fragrant tea, and sample
some of Bridie's featherlight scones, and rich, treacly fruit loaf.
Bridie, she'd learned, was the cook-housekeeper, and the mainstay
of the household.
'She came here as a kitchenmaid when I married Rory Killane,'
Magda Sinclair explained, 'and she's been here ever since. She
knows more about this family than we do ourselves, and she's
incredibly loyal.'
'She likes Flynn best,' said James, passing his cup to be refilled.
'What nonsense,' his