palpable smoke from its great chimney at the far end of the Menands bridge. Francis decided this would be a fine place to be buried. The hill had a nice flow to it that carried you down the grass and out onto the river, and then across the water and up through the trees on the far shore to the top of the hills, all in one swoop. Being dead here would situate a man in place and time. It would give a man neighbors, even some of them really old folks, like those antique dead ones at the foot of the lawn: Tobias Banion, Elisha Skinner, Elsie Whipple, all crumbling under their limestone headstones from which the snows, sands, and acids of reduction were slowly removing their names. But what did the perpetuation of names matter? Ah well, there were those for whom death, like life, would always be a burden of eminence. The progeny of those growing nameless at the foot of the hill were ensured a more durable memory. Their new, and heavier, marble stones higher up on the slope had been cut doubly deep so their names would remain visible for an eternity, at least.
And then there was Arthur T. Grogan.
The Grogan Parthenon reminded Francis of something, but he could not say what. He stared at it and wondered, apart from its size, what it signified. He knew nothing of the Acropolis, and little more about Grogan except that he was a rich and powerful Albany Irishman whose name everybody used to know. Francis could not suppose that such massive marbling of old bones was a sweet conflation of ancient culture, modern coin, and self-apotheosizing. To him, the Grogan sepulcher was large enough to hold the bodies of dozens. And as this thought grazed his memory he envisioned the grave of Strawberry Bill Benson in Brooklyn. And that was it. Yes. Strawberry Bill had played left field for Toronto in ought eight when Francis played third, and when Francis hit the road in ‘16 after Gerald died, they bumped into each other at a crossroads near Newburgh and caught a freight south together.
Bill coughed and died a week after they reached the city, cursing his too-short life and swearing Francis to the task of following his body to the cemetery. “I don’t want to go out there all by myself,” Strawberry Bill said. He had no money, and so his coffin was a box of slapsided boards and a few dozen tenpenny nails, which Francis rode with to the burial plot. When the city driver and his helper left Bill’s pile of wood sitting on top of some large planks and drove off, Francis stood by the box, letting Bill get used to the neighborhood. “Not a bad place, old buddy. Couple of trees over there.” The sun then bloomed behind Francis, sending sunshine into an opening between two of the planks and lighting up a cavity below. The vision stunned Francis: a great empty chasm with a dozen other coffins of crude design, similar to Bill’s, piled atop one another, some on their sides, one on its end. Enough earth had been dug away to accommodate thirty or forty more such crates of the dead. In a few weeks they’d all be stacked like cordwood, packaged cookies for the great maw. “You ain’t got no worries now, Bill,” Francis told his pal. “Plenty of company down there. You’ll be lucky you get any sleep at all with them goin’s on.”
Francis did not want to be buried like Strawberry Bill, in a tenement grave. But he didn’t want to rattle around in a marble temple the size of the public bath either.
“I wouldn’t mind bein’ buried right here,” Francis told Rudy.
“You from around here?”
“Used to be. Born here.”
“Your family here?”
“Some.”
“Who’s that?”
“You keep askin’ questions about me, I’m gonna give you a handful of answers.”
Francis recognized the hill where his family was