thumbs the red button next to the throttle and the engine dies. âThatâs how you shut âer down,â he says.
âIâll be here tomorrow to give you the money,â Bert says. âIf I had any money now, Iâd give you some to hold it.â
âNo need,â Sherpard replies. âYour wordâs enough.â
âI give you my word, then,â Bert says, and he reaches to shake Shepardâs hand.
Chapter 4
Too Chickenshit to Live
Bert pulls up in front of his house, climbs out of the Bug, sets his school folder on the hood, and pulls his new Harley T-shirt over his head. Everybody who buys a bike gets a shirt, Shepard said. Bert bends down and looks at himself in the side mirror. He smooths the collar of his white Lacoste shirt over the black T-shirt. He doesnât feel like himself in tough-guy clothes. He just bought a tough-guy motorcycle, though, so some changes in his image might be due. âThis could be a look for me,â Bert says, thinking of Michael Keaton at the end of Beetlejuice when his head is shrunk.
Bert walks through the garage to the back door. He canât keep from looking down at his chest where an eagle glares out of yellow eyes and screams with its beak wide, HARLEY-DAVIDSON, TOO TOUGH TO DIE!
His dadâs Acura is sitting next to his momâs Mazda. Bert was hoping his dad would be at a dinner meeting. There wonât be any playing them off against each other. But the time for that is over, Bert tells himself. Time to stand up and face them both.
*Â Â *Â Â *
Iâll have some shirts printed up, Bert is thinking as he lies on his bed. Theyâll be pink with a picture of me ina diaper, a thoughtful expression on my baby face, and above the picture theyâll say ALBERT BOWDEN , and below, TOO CHICKENSHIT TO LIVE!
Bert didnât tell his parents during supper. Now Nightline is over and heâs lying on his bed not paying attention to a Hill Street Blues rerun.
For a while during the evening Bertâs mind was filled with images of riding the Sportster. He rode along the Spokane River through a cool green tunnel of fir trees. He rode into the school parking lot, the Sportsterâs exhaust note deep and mellow like a musical motif that accompanies the hero in a movie.
But Bert wants a real image of himself he can admire for a change instead of a fantasy, and it is in pursuit of this that he arises from his bed, walks upstairs, and knocks on his parentsâ bedroom door.
âBert?â his mother says.
âYeah,â Bert says. âI need to talk to you guys.â
âWell, come in,â she says.
Bert sits at the foot of his motherâs bed. Her reading lamp is on, but it only illuminates a circle the size of a basketball on her pillow. Bertâs father is just a dark shape turning and sitting up against the headboard of his bed a few feet away. âJesus, Bert,â comes the voice from the dark shape. âWeâve got to work tomorrow.â
âI bought that Harley-Davidson motorcycle I told you guys about,â Bert says.
The dark shape sits straighter. His mother doesnât move.âWhat can we do, Donald?â she finally says.
âYou canât do anything,â Bert says. âYou donât need to do anything.â
âOf course we can do something,â Donald Bowden says. âYouâre sixteen years old. You canât enter into a contract without our permission.â
âJesus, Dad,â Bert says. âThatâs not the point.â Bert shakes his head. He can see the mixture of disapproval and scorn on his momâs face, but his dad is just a voice and a shape in the dark.
âIt doesnât matter how much it cost, Bert,â his mother says. âThat money is for college.â
âCollege is two years away, Mom. If I can get in at all. I donât need money for college right now. I need this motorcycle.â
âHuman