shoulders hunched under the weight of all that silence, all those words unsaid.
He outwaited her, which was just mean. At last â talking to her knees, because she could, apparently, still not talk to him â she said, âI hate it. All of it. All of this,â with one wild champagne-spilling gesture which might as well have been a gesture back through time to the girl she used to be, when she used to spill champagne for the sheer gorgeous hell of it. âI hate being the party girl that people pay for, because it gets their parties in the paper. I hate being so desperate Iâll go to bed with anyone for a hundred quid and a kind smile â and, actually, donât bother about the smile. I
hate
that. I hate the way everyone thinks it, and I hate the fact that itâs true.â
âActually,â he said, âwhat everyone thinks is that you donât care what you do now.â
âThatâs true, too. At least, that Iâll do anything for money. Why not?â After these last years, why would she even hesitate? âBut no, I do still care. I just try not to show it. You wonât give me away, will you, Tony?â
âNever,â he said. âNot give you away, and not sell you either. I will use you, though, if youâll let me. If youâll do anything for money, will you do a job for me?â
That shrug was becoming harder every time. She really, really wanted to say no.
Not for you, Tony love. Not you. Please donât ask me.
But it was too late, and so she managed to shrug at him with her poor overburdened shoulders, and she managed to say, âYes, sure. Why not, if the moneyâs right?â
âMoneyâs not an issue,â he said.
She snorted. âSpeak for yourself, love.â
âNo, Iâm serious. You can have all the resources of Fledgwood Enterprises at your back, if you need them.â
She blinked, sipped, said, âWhat is it, then? This job?â Not hat-check girl at one of his fatherâs parties, that was for sure.
âItâs for the
Messenger
. Undercover work, an investigation.â
âWhat? Youâre bonkers. Iâm no bloody journalist.â
âNo â but you are a girl who needs to hide. Or you could be. Itâs the perfect cover, sweetheart. If youâre blown, itâs just all the more convincing. And youâd be out of London, a long way away from all of this. No oneâs going to forget about you, Iâm not saying that â but, well. Nine daysâ wonder, you know?â
âMore like nine months,â she said; and then heard herself, realized what sheâd said, started to cry. It wasnât at all what sheâd meant; she was just trying to be bitterly clever, the way she did when she was trying to keep up with Tony. But that was a hopeless enterprise in any case, and it had led her to walk flat-footed into the heart of sorrow. Nothing new there. She despised herself for many reasons â every good reason, and quite a few that were no good at all but she used them anyway â and this was one of the best: that she tried to be slick and tripped herself every time.
She wasnât clever enough to be any use to Tony. She couldnât save herself, let alone help anyone else. Or expose them. She wanted to say so, but talking was all manner of hard, too much to manage while she wept; and when he passed her a hankie that only made her more incoherent because sheâd never been any good at gratitude.
âOh, keep the sodding thing,â he snapped, when she tried absurdly to hand it back to him. Or maybe heâd said âsoddenâ; she really wasnât sure. And then, âKeep it,â he said, âand go home. Meet me for oysters at noon, and Iâll tell you what I want.â
âI canât,â she said, gulping. âI canât go home. Dr Barrettâs paying me to be here . . .â
âHow
Ambrielle Kirk, Amber Ella Monroe