she’d already decided to bid on that lot. She took out a notebook and a pen that boasted a guitar-wielding Elvis to note down the number. “I’m really glad you came along with me on this trip, Lea. You keep me centered.”
“Somebody has to.” Lea’s attention was caught by a colorful display of Depression glass. There were two or three pieces in amber that would add nicely to her own collection. “Still, I feel guilty being away from home this close to Christmas. Leaving John with the kids that way.”
“You were dying to get away from the kids,” Dora reminded her as she inspected a lady’s cherrywood vanity.
“I know. That’s why I’m guilty.”
“Guilt’s a good thing.” Tossing one end of her red muffler over her shoulder, Dora crouched down to check the work on the vanity’s brass handles. “Honey, it’s only been three days. We’re practically on our way back. You’ll get home tonight and smother the kids with attention, seduce John, and everybody’ll be happy.”
Lea rolled her eyes and smiled weakly at the couple standing beside her. “Trust you to take everything down to the lowest common denominator.”
With a satisfied grunt, Dora straightened, shook her chin-length sweep of hair away from her face and nodded. “I think I’ve seen enough for now.”
When she checked her watch, she realized it was curtain time for the matinee performance back home. Well, she mused, there was show business, and there was show business. She all but rubbed her hands together in anticipation of the auction opening.
“We’d better get some seats before they—oh wait!” Her brown eyes brightened. “Look at that.”
Even as Lea turned, Dora was scurrying across the concrete floor.
It was the painting that had caught her attention. It wasn’t large, perhaps eighteen by twenty-four inches with a simple, streamlined ebony frame. The canvas itself was a wash of color, streaks and streams of crimson and sapphire, a dollop of citrine, a bold dash of emerald. What Dora saw was energy and verve, as irresistible to her as a red-tag special.
Dora smiled at the boy who was propping the painting against the wall. “You’ve got it upside down.”
“Huh?” The stock boy turned and flushed. He was seventeen, and the sight of Dora smiling at him reduced him to a puddle of hormones. “Ah, no, ma’am.” His Adam’s apple bobbed frantically as he turned the canvas around to show Dora the hook at the back.
“Mmm.” When she owned it—and she certainly would by the end of the afternoon—she would fix that.
“This, ah, shipment just came in.”
“I see.” She stepped closer. “Some interesting pieces,” she said, and picked up a statue of a sad-eyed basset hound curled up in a resting pose. It was heavier than she’d expected, and pursing her lips, she turned it over and over for a closer inspection. No craftsman’s mark or date, she mused. But still, the workmanship was excellent.
“Frivolous enough for you?” Lea asked.
“Just. Make a terrific doorstop.” After setting it down she reached for a tall figurine of a man and woman in antebellum dress caught in the swirl of a waltz. Dora’s hand closed over thick, gnarled fingers. “Sorry.” She glanced up at an elderly, bespeckled man who gave her a creaky bow.
“Pretty, isn’t it?” he asked her. “My wife had one just like it. Got busted when the kids were wrestling in the parlor.” He grinned, showing teeth too white and straight to be God-given. He wore a red bow tie and smelled like a peppermint stick. Dora smiled back.
“Do you collect?”
“In a manner of speaking.” He set the figurine down and his old, shrewd eyes swept the display, pricing, cataloguing, dismissing. “I’m Tom Ashworth. Got a shop here in Front Royal.” He took a business card from his breast pocket and offered it to Dora. “Accumulated so much stuff over the years, it was open a shop or buy a bigger house.”
“I know what you mean. I’m Dora