Only a week before she demanded a divorce, she had his things cleaned and pressed, but on the day he left the house, she flung them all into a carton which she then dumped down the cellar stairs. She needed more closet space. And other things happened, sad, comical, or cruel, depending on one's point of view. Until the very last day, the tone of Herzog's relations with Madeleine was quite serious comt is, ideas, personalities, issues were respected and discussed. When she broke the news to him, for instance, she expressed herself with dignity, in that lovely masterful style of hers. She had thought it over from every angle, she said, and she had to accept defeat. They could not make the grade together. She was prepared to shoulder some of the blame. Of course, Herzog was not entirely unprepared for this. But he had really thought matters were improving.
All: this happened on a bright, keen fall day.
He had been in the back yard putting in the storm windows. The first frost had already caught the tomatoes. The grass was dense and soft, with the peculiar beauty it gains when the cold days come and the gossamers lie on it in the morning; the dew is thick and lasting. The tomato vines had blackened and the red globes had burst.
He had seen Madeleine at the back window upstairs, putting June down for her nap, and heard the bath being run. Now she was calling from the kitchen door. A gust from the lake made the framed glass tremble in Herzog's arms. He propped it carefully against the porch and took off his canvas gloves but not his beret, as though he sensed that he would immediately go on a trip.
Madeleine hated her father violently, but it was not irrelevant that the old man was a famous impresario comsometimes called the American Stanislavsky. She had prepared the event with a certain theatrical genius of her own. She wore black stockings, high heels, a lavender dress with Indian brocade from Central America. She had on her opal earrings, her bracelets, and she was perfumed; her hair was combed with a new, clean part and her large eyelids shone with a bluish cosmetic.
Her eyes were blue but the depth of the color was curiously affected by the variable tinge of the whites.
Her nose, which descended in a straight elegant line from her brows, worked slightly when she was peculiarly stirred. To Herzog even this tic was precious. There was a flavor of subjugation in his love for Madeleine. Since she was domineering, and since he loved her, he had to accept the flavor that was given. In this confrontation in the untidy parlor, two kinds of egotism were present, and Herzog from his sofa in New York now contemplated them comhers in triumph (she had prepared a great moment, she was about to do what she longed most to do, strike a blow) and his egotism in abeyance, all converted into passivity. What he was about to suffer, he deserved; he had sinned long and hard; he had earned it. This was it.
In the window on glass shelves there stood an ornamental collection of small glass bottles, Venetian and Swedish. They came with the house. The sun now caught them. They were pierced with the light.
Herzog saw the waves, the threads of color, the spectral intersecting bars, and especially a great blot of flaming white on the center of the wall above Madeleine.
She was saying, "We can't live together any more."
Her speech continued for several minutes. Her sentences were well formed. This speech had been rehearsed and it seemed also that he had been waiting for the performance to begin.
Theirs was not a marriage that could last. Madeleine had never loved him. She was telling him that. "It's painful to have to say I never loved you. I never will love you, either," she said. "So there's no point in going on."
Herzog said, "I do love you, Madeleine."
Step by step, Madeleine rose in distinction, in brilliance, in insight. Her color grew