and let herself out of the rear exit.
Outside, the wind stung her face. Stevie lived in a small apartment above the museum gift shop, just a few steps across a yard to a fire escape that wound two stories up to her front door. She’d thought of taking Daniel’s triptych upstairs, but decided not to risk rain damage. Besides, she wasn’t sure she wanted those disturbing images staring at her all night.
Rain fell hard as Stevie walked the length of Vyse Street. The street was dark and shiny, awash with traffic on a typically British December evening: wet and piercingly cold. She hadn’t thought to bring an umbrella, so she wrapped her long Indian cotton scarf several times around her neck, pushing her chin down into the folds. She passed the multistory parking garage and a long row of stores selling gems and watches.
The Jewellery Quarter wasn’t pretty, yet it possessed a unique character. The streets had an industrial feel. Buildings of Victorian grandeur were interspersed with rows of old red-brick houses—mainly occupied by jewelry stores, with design studios and repair workshops on the upper floors—and marred by occasional blocky constructions from the 1960s. There were tiny shops stuffed with antiques, glamorous high-end boutiques, contemporary designers, discount gold merchants, clockmakers and more, all nestled side by side along every street in the vicinity.
Stevie loved the place. She’d fallen in love the moment she stepped off the new light railway at Hockley station, looked up and saw the station sign: a modern sculpture of cogs, like a giant skeleton clock. An air of dilapidation persisted in places, but historical conservation projects were restoring the area into a prime heritage site. Stevie was proud to be playing a part, however modest.
She wasn’t her own boss as such. She’d been deputy curator/manager for five years, officially supervised by tiers of city council administrators. Fortunately, they left the day-to-day running to her. The pay wasn’t great, but Stevie was happy. The job came with an apartment, and the museum was her life. There was nothing more she needed.
On the opposite side of the road, a cemetery lay dark and peaceful, untouched by the bustle around it. Reaching the Jewellery Quarter clock—a handsome green and gold tower—she crossed the road to a small supermarket on the far side.
The store’s harsh lighting made her blink as she bought basics: milk, bread, a ready meal and a bottle of wine. Soon she was on her way back, with rain blowing into her eyes, half her shopping list forgotten. All she could think about was Daniel.
Tall and skinny, with spiky brown hair, bright blue eyes shining through his crooked glasses, a permanent grin … the memories were vivid and fond. She still missed him. He’d been her first lover, the first person she’d ever allowed close to her.
Art college had been a great time in her life. Although her talent for fine art proved minimal, the college let her transfer to a jewelry-making course of study that suited her better. The curriculum covered all kinds of metalwork, allowing her fascination with clocks and other mechanisms to blossom alongside her love of gold and gems.
When college ended and her fellow students went their separate ways, she felt bereft. For those four years, she’d been part of a large, flamboyant family.
With Daniel at the center, like a flame.
Fin had guessed right: she and Daniel had been an item at college, although it hadn’t exactly been a grand passion. The initial excitement of sexual discovery faded within a year or so. Affection remained, but sheer physical chemistry seemed to be lacking between them. He’d always been eccentric, verging on unstable, and Stevie had her own interests, so they poured their ardor into work rather than each other. Yet there had been a sweetness in their mostly platonic love that still made Stevie smile. By the end, they were more like brother and sister.
Then the