Going Loco Read Free Page B

were always telling Belinda that genetics was a sexy science, but Stefan said it was harmless drudgery – and she was happy to believe him. Clueless about the nitty-gritty, she just knew that his research involved things called dominant and recessive genes. ‘So some genes are pushy and others are pushovers, and the combination always causes trouble?’ she’d once summed it up. And he’d coughed and said gnomically, ‘Up to a point, Lord Copper.’
    At that momentous Sunday lunch, she had not told him much about her own work. As she discovered later, Swedes don’t ask personal questions; they consider it ill-mannered. But she had told him about Patsy Sullivan, and made him laugh describing the horsy adventures. However, the time she regarded as daily stolen from her had nothing to do with her desire to write about red rosettes for handy-pony. It wasn’t time she wanted for ‘herself’, either. Magazines sometimes referred to women making time for ‘themselves’, but driven by her Keatsian gleaning imperative, Belinda had absolutely no idea what it meant. ‘Make time for yourself.’ Weird. Chintzy wallpaper probably had something to do with it. Long hot baths. Or chocolates in a heart-shaped box.
    Thus, if well-intentioned people chose to flatter Belinda in a feminine way, it just confused her. ‘Buy yourself a lipstick,’Viv’s mother had said during her university finals, giving her a five-pound note. But the commission had made her miserable. She’d hated hanging around cosmetics counters with this albatross of a fiver when she could have been revising the Gothic novel in the library. Belinda’s revision timetable had been incredibly impressive, and very, very tight. Only when Viv absolved her with ‘Buy some pens, for God’s sake,’ did she race off happily and spend it.
    Yes, for someone who lived so much in her head, it was an alien world, that feminine malarkey. Luckily the other-worldly Stefan didn’t mind too much, but Belinda’s well-coiffed mother despaired of her, and left copies of books with titles like
Femininity for Dummies
lying around in her daughter’s house. Yet even as a teenager Belinda had flipped through all women’s magazines in lofty, anthropological astonishment, amazed at the ways contrived by modern women to occupy their time non-productively. Facials, for heaven’s sake. Leg-waxing. Fashionable hats. Stencils.
    From this you might deduce that Belinda’s secret personal work was of global importance. But she was just writing a book called
The Dualists
, a grand overview of literary doubles through the ages. Being Patsy half the time had given her the idea. ‘Like Dr Jekyll and Mr Hyde,’ she explained, when people looked blank. ‘Or like me and Patsy Sullivan.’ But if she implied that she took the subject lightly, she certainly didn’t.
    In fact, like most areas of study, the closer you got to the literary double, the more importantly it loomed; the more it demonstrated links with life, the universe, everything, even genetics and photocopying. Abba impersonators, Siamese twins, Face/Off – the world was full of replicas. And why was the genre so popular? Because everyone believes they’ve got an alternative, parallel life – in Belinda’s case, perhaps, the ideal existence of that unregenerate toff Virginia Woolf, with her pure and rounded pearls. This parallel life was just waiting foryou to join it, to stop fannying about. Every time you made a choice in life, another parallel existence was created to demonstrate how your own life could have been. Surely everybody felt that? Surely everybody looked in the mirror and thought, That’s not the real me. It used to be, but it’s not now. Surely everyone measured themselves against their friends? Especially these days, when everyone was so busy?
    Either way, for the past three years, between all the demands of Patsy and socks (and Stefan), Belinda had left unturned not a single existential book in which a