somehow related to it, there was the magnificent model of a brown-paneled sleeping car in the window of the
Société des Wagons-Lits et des Grands Express Européens
on the Nevsky Avenue, where one was walked on a dull frosty day with slight spinners of snow, and had to wear black knit snow pants over one’s stockings and shorts.
3
His mother’s love for Martin was so jealous, so violent, and so intense that it seemed to make the heart hoarse. When her marriage broke up and she began living separately with Martin, he would go on Sundays to visit his father at their former apartment, where he would potter for a long time with pistols and daggers, while his father read the paper impassively, and answered every now and then, without looking up, “Yes, loaded,” or “Yes, poisoned.” On these occasions Sofia could hardly bear to stay at home, tormented by the ridiculous thought that her indolent husband might try something after all, and keep his son with him. Martin, on the other hand, was very affectionate and polite with his father, so as to mitigate the punishment as much as possible; since he believed that his father had been banished for a misdemeanor committed one summer evening, at their country house, when he had done something to the piano that made it emit an absolutely staggering sound, as if someone had stepped on its tail, and the day after had left for St. Petersburg and never returned. This happened in the very same year when the grand duke of Austria was assassinated in a seraglio. Martin imagined that seraglio and its divan very distinctly, with the grand duke, in a plumed hat, defending himself with his sword against half-a-dozen black-cloaked conspirators, and was disappointed when his error became evident. The blow on the piano keys occurred in his absence: he was in the adjoining room, brushing his teeth with thick, foamy, sweet-tasting toothpaste, rendered especially attractive by the inscription in English: “We could not improve the paste, so we improved the tube.” Indeed, the apertureformed a transverse slit, so that the paste, as it was squeezed out, slid onto the brush not like a worm but like a ribbon.
That last discussion with her husband Sofia recalled in its entirety, complete in every detail and shading, on the day the news of his death reached her in Yalta. Her husband had been sitting near a little wicker table, examining the tips of his short, outspread fingers, and she had been telling him that they could not go on like that any longer, that they had long since become strangers, that she was willing to take her son and leave, even tomorrow. Her husband smiled lazily and answered in a quiet, slightly husky voice that she was right, alas, and said he would leave himself, and find a separate apartment in town. His quiet voice, his placid obesity, and, most of all, the file with which he continually mangled his soft nails drove her out of her wits, and the calm with which they both discussed their separation seemed to her monstrous, even though violent language and tears would of course have been more awful still. Presently he got up, and, still fiddling with the nail file, began pacing back and forth across the room, speaking with a gentle smile about the minor household details of their forthcoming separate existence (and here a town carriage played an absurd role). Then, suddenly and without any reason, as he passed the open piano, he brought his closed fist down on the keyboard with all his might, and it was as if a discordant howl had burst in through a momentarily opened door. After this he resumed the interrupted sentence in the same quiet voice, and the next time he passed the piano he carefully closed the lid.
The death of his father, whom he did not love much, shocked Martin for the very reason that he did not love him as he should; and besides, he could not rid himself of the thought that his father had died in disgrace. It was then that Martin understood for the first time