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blue-eyed dad, who’d worn a cotton sweater tied around his shoulders, had just left the dorm, looking as if they were on their way to lunch at the country club. The Farradays were probably still on the staircase, with Sylvie’s mother, dressed, as usual, in a black skirt, white blouse, and flats—her philosophy was that money spent on clothing was a waste, because her robes covered everything—and her father, who stood just a shade over five foot three and always had a cigar clamped between his stained teeth. Sylvie wondered what they were talking about. She suspected that Ceil’s parents didn’t socialize with many Jews, and as for Selma and Dave, Shaker Heights, Ohio, might as well have been on the moon, populated by a race of bizarre aliens who’d encourage their kids to go to football games and drive-ins instead of the library.
    “We do okay,” Sylvie had said, turning toward the closet and starting to hang up her clothes.
    Ceil had persisted. “Do you live in a mansion?”
    “An apartment,” said Sylvie, feeling relieved, because “apartment” didn’t sound ostentatious and Ceil wouldn’t think to ask a New Yorker’s follow-up questions—what neighborhood and how many rooms and did they have views of the park?
    Ceil and Sylvie roomed together for all four years of college, much to Sylvie’s parents’ unspoken but palpable dismay (they called Ceil the shiksa princess behind her back and, eventually, to her face). After graduation, Sylvie went to Yale. She found a sunny apartment on Edgewood Avenue—she and a medical student named Danielle each had a tiny bedroom, and they shared the living room with its working fireplace, the bare-bones kitchen, and the seventy-five-dollar-a-month rent, but they never bonded the way Sylvie and Ceil had, probably because both of them spent so much time in the library (and maybe because her new roommate had no sense of humor at all). Sylvie ate Sunday brunch at the Elm Street diner and took yoga classes at the Y down the street. Ceil, meanwhile, realized her New York dreams. She moved to the Village and took classes in dance and movement and voice. She never landed more than bit parts off-Broadway and had a speaking part (in reality, it was more of a grunting part) in a single laxative commercial before making the transition to marriage, motherhood, wealth, and the complacent life of a lady who lunched, shopped, and wrote large checks to laudable organizations. Still, Ceil had never lost her ability to wrest drama from the most commonplace situations. Once, she’d sent Sylvie an urgent e-mail, the memo line—MUST SPEAK TO YOU NOW—written in all capital letters. It turned out that a married actor had left his movie-star wife for the nineteen-year-old nanny—had, in fact, announced his defection on that day’s installment of The Howard Stern Show , to which Ceil was addicted—and Ceil felt the need to discuss this development immediately, if not sooner.
    “Is it juicy?” Sylvie asked, and adjusted her phone against her cheek. She had one of those space-age headpieces that fit inside her ear, but she’d never been able to figure out how to make it work reliably, and was too embarrassed to ask her daughters or her assistant to explain it again.
    There was a pause. “You don’t know?” asked Ceil.
    “I’m on the New Jersey Turnpike. What’s going on?” Sylvie settled more comfortably into the seat, readying herself for the soliloquy Ceil would doubtlessly deliver about New Jersey. Ceil hated suburbs and conformity and any place where people lived that wasn’t the right neighborhoods of Paris or Manhattan, even though she, herself, was leading as white-bread a life as possible, with her ex-Cornhusker husband named Larry, her twins Dashiell and Clementine, and the granddaughter named Lincoln whom she carted to Little Mozart music class every Tuesday (the normalcy of that, she insisted, was leavened by the fact that her daughter was a lesbian, and that Suri