circle of dreadful young men she was positive contained my future husbandâand you know Iâd really rather die than end up a wife to any of those bores. She spoke of me as her dearest friend. I had only met her once before, but she took it into her head to act as matchmaker. I was writhing to get out when I found myself face-to-face with Dorian Gray. We were quite close, almost touching. Our eyes met again. It was reckless of me, but I asked Lady Brandon to introduce me to him. Perhaps it was not so reckless, after all. It was simply inevitable. We would have spoken to each other without any introduction. I am sure of that. Dorian told me so afterward. He, too, felt that we were destined to know each other.â
Helen nodded with interestâthese were clearly the details sheâd been waiting for Rosemary to divulge. âAnd how did Lady Brandon introduce this wonderful young man?â
âOh, she bumbled something like, âCharming boyâ poor dear mother and I absolutely inseparable. Quite forgot what he doesâafraid he doesnât do anythingâor, yes, plays the pianoâor is it the violin, dear Mr. Gray?â Neither of us could help laughing, and we became friends at once.â
âLaughter is not at all a bad beginning for a romance, and it is by far the best ending for one,â said Helen, who now seemed content to pass the rest of the day in the garden, gabbing about Dorian Gray. The same could be said for Rosemary, but she worried that as she had with the painting, she was putting too much of herself into this conversation. No subject, no matter how provocative, ever transcended idle chatter for Helen, and while she was evidently fascinated by Rosemaryâs new friend, they could just as easily be talking about actors in a play. For Rosemary, there was much more at stake. To talk of him only magnified his importance to her, and that was a dangerous undertaking.
âI wish youâd stop referring to it as a romance,â said Rosemary, who was now tired of sitting in the sun and said so. She declared that they go back into the studio, stood up before Helen could voice her opinion, and went inside.
âAre you upset with me?â asked Helen, as she joined Rosemary on the divan.
âNo, Iâm just tired,â said Rosemary. âI havenât been sleeping well.â
âYou do know that I consider you like a sister, Rosemaryâone I can tolerate unlike my true sisters. You can always talk to me about whatâs distressing you.â
âI see Dorian every day,â began Rosemary.
âWell, it is an especially giant canvas,â said Helen, elbowing Rosemaryâs thigh in jocularity. âIâm enveloped in its great shade!â
âNo,â said Rosemary with a laugh. âI mean I see him daily in the flesh. He sits for me every afternoonâhas been for months.â
âThat seems appropriate,â said Helen âYou must immerse yourself in the work and not let a day go by.â
âYes, but itâs more than that. He makes me happy, Helen. Iâm not happy until I see him, and Iâm in agony as soon as he leaves. Even now, knowing I will see him soon, my heart is racing with suspense. I need him. I canât live without him.â
âHow extraordinary!â said Helen, embracing Rosemary as if to congratulate her. âI thought you would never care for anything but your art.â
âHe is all my art to me now,â said Rosemary, her eyes welling. âWhat oil painting was to the Venetians, the face of Antinous to late-Greek sculptureâthat is what Dorian Gray is to me. It is not merely that I paint from him, draw from him, sketch from him. Heâs my inspiration. You remember that landscape of mine, for which I was offered such a huge price but which I would not part with? It is one of the best things I have ever done because Dorian was sitting beside me while I painted it,