hoodie still intact. Whites on the floor next to the hamper in front of her. Not strewn all over the stairs. Ask anyone and they'd say she tripped at the bottom. Lost her hamper. Imagined the whole thing, poor dear. Fainted maybe. You're here right? So nothing happened. Fallon had to admit these imaginary people, a jumbled amalgam of everyone she knew, with the voice of her mother, were convincing. She felt that something had happened. Something was wrong. Of course! She was a ghost. That was it. A ghost that picked up her laundry with non-translucent hands. Put it into the machine and added the pouch of washing liquid. Poured some detergent in the drawer. Of course. Didn't ghosts do laundry all the time? So she wasn't a ghost.
We've all felt this strange malaise. Waking up from a dream and sorting the true things from the fake things. Realising there's no way we could have crashed our mothers' cars or lost our uncles' dogs. Because neither exist. It fades in time. We start to feel normal again. Get on with our days. As Fallon did. Sometimes when she walked through the living room, she felt like the machine had moved. It was on the antique table like in her dream. There were plenty of moving parts. A crank spun a large brass wheel. Throwing a lever and turning the same crank moved many small gears that in turn spun a smaller wheel. Everything was perfectly balanced. She would turn and twist and pull and they would stay where they were. But now, again, it looked like it had moved. Why wouldn't it have! Darragh fiddled with it all the time. People who came over did too. And she. No one could resist. Stuck their fingers into mechanisms. Moved a cog or looked at cams and cam followers while the big wheel spun. So it was nothing to worry about! Someone had touched it. It hadn't moved. Enough! Let's not pretend we don't know. Let's not feign amazement when the machine clicks and whirs in the night. Let's take the following at face value: Click. Whir. The following day the neighbour's dog stopped barking at Fallon. Wagged its tail instead. Click. Click. Fallon discovered she hadn't spent as much money as she thought. Was quite well off for the the month actually. Click. Whir. Darragh brought his overnight bag and spent the night. Unannounced, unplanned. Click. Click. There was supposed to be a lot of grass pollen in the air but Fallon didn't sneeze or sniff. Not once. Her eyes felt fine. Let's not even pretend that Fallon had assembled the machine correctly. There were too many combination. Too many parts that fit where other parts also fit. How could an untrained woman create a machine from parts she knew nothing about? From the blueprint of a dream? That wasn't the point. Not with this machine. Could it feel, it would have felt any configuration was sufficient for it to do its work. But it could not, so it did not. It just worked. Click. Fallon found the perfect spatula at a used market. Whir. Her roses blossomed early. Admired by her neighbours who still had only closed buds, and by passers-by, who had none.
Four
Click. That night the machine started early. As soon as Fallon went to bed. It worked through the night. It was silent. Its parts well oiled. Well cared for. The phrase 'labour or love' is invoked too often, to describe the most mundane of things. When it came to this machine, therefore, the phrase was too weak. Too watered down. So it won't be used. Let's just watch instead. See the levers slide back and forth. See the switches go on and off. The wheel turns a full circle. One fifth of a circle back. A gear moves into position and the wheel continues. Slower now. Another full circle. Are we to see any meaning here? Are the clicks and whirs, so soft, somehow symbolic of what the machine is doing? And why is it working so hard tonight? Unanswered questions! But watching it is kind of beautiful, isn't it? Intriguing, or hypnotic maybe? No. There's a smile here. However slight and small. It's hiding