leaving.”
My father stood on the porch looking at her. “Stay here,” he said to me. Then he took my mother’s arm and they went into the house. I stood on the steps outside, and when my father came out again in a few minutes, he was alone, just as when we drove west that night and slept with the rest of our neighborhood on army cots in the high school gym in the next town, we were alone. My mother had stayed behind.
Nothing important came of this. That night the wind calmed and the burning house was extinguished; the next day a heavy rain wet the fire and it was put out. Everybody came home, and the settled ash was swept from the houses and walkways into black piles in the street. I mention the incident now only because it points out, I think, what I have always lacked: I inherited none of my mother’s moral stubbornness. In spite of my age, still, arriving on foot at a crosswalk where the light is red but no cars are in sight, I’m thrown into confusion. My decisions never seem to engage the certainty that I had hoped to enjoy late in my life. But I was adamant and angry when Mr. Pike came to my door. The elm was ancient and exquisite: we could not let it die.
Now, though, the tree was safe. I examined it in the morning, in the afternoon, in the evening, and with a lantern at night. The bark was clear. I slept.
The next morning Mr. Pike was at my door.
“Good morning, neighbor,” I said.
“They’re back.”
“They can’t be.”
“They are. Look,” he said, and walked out to the tree. He pointed up to the first bough.
“You probably can’t see them,” he said, “but I can. They’re up there, a whole line of them.”
“They couldn’t be.”
“They sure are. Listen,” he said, “I don’t want to be unpleasant, but I’ll be frank.”
That evening he left a note in our mail slot. It said that he had contacted the authorities, who had agreed to enforce the cutting of the tree if I didn’t do it myself. I read the note in the kitchen. Vera had been cooking some Indian chicken before she left for the Appalachian Trail, and on the counter was a big jar filled with flour and spices that she shook pieces of chicken in. I read Mr. Pike’s note again. Then I got a fishing knife and a flashlight from the closet, emptied Vera’s jar, and went outside with these things to the elm. The street was quiet. I made a few calculations, and then with the knife cut the bark. Nothing. I had to do it only a couple more times, however, before I hit the mark and, sure enough, the tree sprouted insects. Tiny red bugs shot crazily from the slit in the bark. I touched my finger there and they spread in an instant all over my hand and up my arm. I had to shake them off. Then I opened the jar, laid the fishing knife out from the opening like a bridge, and touched the blade to the slit in the tree. They scrambled up the knife and began to fill the jar as fast as a trickling spring. After a few minutes I pulled out the knife, closed the lid, and went back into the house.
Mr. Pike is my neighbor, and so I felt a certain remorse. What I contemplated, however, was not going to kill the elms. It was going to save them. If Mr. Pike’s trees were infested, they would still more than likely live, and he would no longer want mine chopped down. This is the nature of the world. In the dark house, feeling half like a criminal and half like a man of mercy, my heart arrhythmic in anticipation, I went upstairs to prepare. I put on black pants and a black shirt. I dabbed shoe polish on my cheeks, my neck, my wrists, the backs of my hands. Over my white hair I stretched a tight black cap. Then I walked downstairs. I picked up the jar and the flashlight and went outside into the night.
I have always enjoyed gestures—never failing to bow, for example, when I finished dancing with a woman—but one attribute I have acquired with age is the ability to predict when I am about to act foolishly. As I slid calmly into the shadowy
Irene Garcia, Lissa Halls Johnson