Ellis Peters - George Felse 10 - The Knocker On Death's Door Read Free

draped with old-fashioned and shapeless tweeds of no particular colour. Under an ancient felt hat, worn dead straight on lank grey hair drawn into a bun on her neck, the long, narrow, aristocratic face looked out with chill disapproval at the world, as though she had ceased to expect anything good from present or future.
    “She looks,” said Bunty thoughtfully, “like that bronze bishop at Augsburg—the one with the bad smell under his nose.”
    “Bishop Wolfhart Roth,” said Sergeant Moon understandingly. “Now you come to mention it, so she does.” And it was entirely typical of him that he should be able to haul out of his capacious memory not only the face but even the name of a German bishop some unknown artist had caricatured in bronze in the fourteenth century.
    Her son was like her, but not yet mummified. Tall, thin, with long, narrow bones and a long, narrow face, withdrawn, distrustful, austere. An uncomfortable family, Bunty thought, watching them disappear under the vicar’s trees, but too faded now to discomfort the populace of Mottisham overmuch.
    They were gone, it was over. The sergeant flapped a huge white hand in a final salute, and withdrew to his duty, waving the VW on towards home. Bunty turned to stare into the porch as they passed by, and try to catch a glimpse of the door that had brought press photographers and scholars into the wild territory of Middlehope. Old trees crowded close, darkening the cavity of the porch. She caught a faint flash of pale, pure colour, old wood restored to the light from under the patina of centuries of dirt and neglect; but that was all.
    “Sorry!” said George. “Did you want to stop and have a look at it? I couldn’t hold up the procession, but we can pull round into the pub yard if you like, and walk back.”
    “No, never mind.” Bunty settled back in her seat, her thoughts returning pleasurably to the prospect of getting home and getting the Aga lit and the house warmed. “I don’t suppose there’s anything so remarkable about it. Nothing to fetch us back for another look.”
    Whatever minor fate had been jolted by George’s assessment of the Middlehope crime potential, and Moon’s acceptance of it, must also have recorded, and with the same malice, this complacent comment—probably under the category of famous last words!
     
    There were still three reporters and one press photographer left over from the jamboree when Hugh Macsen-Martel and Dinah and Dave Cressett entered the public bar of “The Sitting Duck” that evening. Saul Trimble, trading on his antediluvian appearance as usual, had already lured two of the visitors into his corner, one on either side, and was furnishing them with a few impromptu fragments of folk-history in return for the pints with which, alternately, they furnished him. He had left out his false teeth for the occasion, which added twenty years to his appearance, and put on his old leather-elbowed jacket and a muffler instead of his usual smart Sunday rig. By good luck the bar itself still looked every inch the antiquated country pub for which it was cast, since Sam Crouch, who owned it, was too mean to spend money on modernising it, and had no need to worry about competition. There were two other pubs within reach, but both were tied, while “The Sitting Duck” was not merely a free house, but a home-brewed house into the bargain, one of only three left in the entire county. So the public bar was still all quarries and high-backed settles, furnished with bright red pew cushions, and every evening the place was full. This Sunday evening it was perhaps even a little fuller than usual. The newsmen, strangers from the town, were fair game, and there was the afternoon’s show to talk about.
    Saul was in full cry when Hugh’s party entered. He was using his folk-lore voice, half singing Welsh, half quavering, superstitious old age, and all the regulars were there to egg him on. William Swayne, alias Willie the Twig, the