left.
      O and the night, the night, when the wind full of worldspace
gnaws at our facesâ, for whom wonât the night be there,
desired, gently disappointing, a hard rendezvous
for each toiling heart. Is it easier for lovers?
Ah, but they only use each other to hide what awaits them.
      You still donât see? Cast the emptiness from your arms
into the spaces we breathe: perhaps the birds
will sense the increase of air with more passionate flying.
Yes, the springtimes needed you. Many a star was waiting
for your eyes only. A wave swelled toward you
out of the past, or a violin surrendered itself
as you walked by an open window. All that was mission.
But were you up to it? Werenât you always
distracted by expectation, as though each moment
announced a belovedâs coming? (But where would you keep her,
with all those huge strange thoughts in you
going and coming and sometimes staying the night?)
No, in longingâs grip sing women who loved:
their feats of passion still lack undying fame.
The bereft ones you almost envy, since you
found them so much bolder in love than those fulfilled.
To begin ever anew their impossible praise.
Remember: the hero lives on. Even his downfall
was only a pretext for attained existence, a final birth.
But nature, depleted, takes back into herself
women who loved, as though she lacked the strength
to create them a second time. Have you invoked Gaspara Stampa
enough so that any girl abandoned by her lover
would feel from this exalted model
of a womanâs love: let me be as she was!
Isnât it time that these most ancient sorrows of ours
grew fruitful? Time that we tenderly loosed ourselves
from the loved one, and, unsteadily, survived:
the way the arrow, suddenly all vector, survives the string
to be more than itself. For abiding is nowhere.
Voices, voices. Listen, my heart, as before now
only saints had listened, while that vast call
raised them off the ground; yet they paid no heed
and kept on kneeling, those impossible ones,
listening wholly absorbed. Not that you could bear
Godâs voiceâby no means. But listen to the windâs breathing,
that uninterrupted news that forms from silence.
Itâs rustling toward you now from all the youthful dead.
When you entered a church in Rome or Naples,
didnât their fate speak quietly to you?
Or an inscription echoed deep inside you,
as, not long ago, that tablet in Santa Maria Formosa .
Their charge to me? âthat I brush gently aside
the veil of injustice that sometimes
hinders a bit their spiritsâ pure movement.
True, itâs strange to dwell on earth no longer,
to cease practicing customs barely learned,
not to give roses and other things of such promise
a meaning in some human future;
to stop being what one was in endlessly anxious hands,
and ignore even oneâs own name like a broken toy.
Strange, not to go on wishing oneâs wishes. Strange,
to see all that was once so interconnected
now floating in space. And death demands a labor,
a tying up of loose ends, before one has
that first feeling of eternity. âBut the living
all make the same mistake: they distinguish too sharply.
Angels (itâs said) often donât know whether they move among
the living or the dead. The eternal current
bears all the ages with it through both kingdoms
forever and drowns their voices in both.
In the end, those torn from us early no longer need us;
they grow slowly unaccustomed to earthly things, in the gentle manner
one outgrows a motherâs breasts. But we, who need
such great mysteries, for whom so often blessed progress
springs from griefâ: could we exist without them?
Is it a tale told in vain, that myth of lament for Linos ,
in which music first pierced the shell of numbness:
shocked Space, which an almost divine youth
had suddenly left forever; then, in the void, vibrations
Christopher Knight, Alan Butler