Dream Factories and Radio Pictures
bulletins soon!” said the first. “We have brought a bottle of wine to celebrate their joyous voyage.”
    The meter-and-a-quarter-tall Jarry brushed his butt-length hair back from his face. When they had knocked, he had just finished a bottle of absinthe.
    “Then we must furnish a royal feast—that will be four in all for supper?” he asked. “Excuse our royal pardon.”
    He put on his bicycling cap with an emblem from the far-off League of American Wheelmen. He walked to the mantelpiece, where he took down a glass of water in which he had earlier placed 200 drops of laudanum, and ate the remains of a hashish cookie. Then he picked up his fly rod and fish basket and left, sticking his head back in to say, “Pray give us a few moments.”
    Two of the students began teasing one of Jarry’s chameleons, putting it through an astonishing array of clashing color schemes, and then tossing one of his stuffed owls around like a football while the living one jumped back and forth from one side of its perch to the other, hooting wildly.
    The second student watched through the single window.
    This is what the student saw:
    Jarry went through the traffic of bicycles and wheeled conveyances on the street, disappeared down the steps to the river, rigged up and made four casts— Bip bap bim bom —came up with a fish on each one—a tench, a gudgeon, a pickerel, and a trout, threw them in the basket, and walked back across the street, waving as he came.
    * * *
    What Jarry saw:
    He was carrying a coffin as he left the dungeon and went into the roadway filled with elephants, and pigs on stilts. A bicycle ridden by a skeleton rose into the sky, the bony cyclist laughing, the sound echoing off itself, getting louder the further away it got.
    He took a week getting down the twenty-seven-kilometer abyss of the steps, each step a block of antediluvian marble a hundred meters wide.
    Overhead, the sun was alternate bands of green and brown, moving like a newly electric-powered barbershop sign. The words “raspberry jam teapot” whispered themselves over and over somewhere just behind his right ear.
    He looked into the thousand-kilometer width of the river of boiling ether. The fumes were staggering—sweet and nausea-producing at the same time. A bird with the head of a Pekingese lapdog flew by the now purple and black orb of the sun.
    Jarry pulled out his whip-coach made of pure silver with its lapis-lazuli guides and its skull of a reel. The line was an anchor chain of pure gold. He had a bitch of a time getting the links of chain through the eye of his fly. It was a two-meter-long, four-winged stained glass and pewter dragonfly made by Alphonse Mucha.
    Jarry false-cast into the ether, lost sight of his fly in the roiling fumes, saw a geyser of water rise slowly into the golden air. The tug pulled his arm from its socket. He set the hook.
    Good! He had hooked a kraken. Arms writhing, parrot beak clacking, it fought for an hour before he regained line and pulled it to the cobbles, smashing it and its ugly eyes and arms beneath his foot. Getting it into the steamer trunk behind him, he cast again.
    There were so many geysers exploding into the sky he wasn’t sure which one was his. He set the hook anyway and was rewarded with a Breughel monster; human head and frog arms with flippers, it turned into a jug halfway back and ended in a horse. As he fought it he tried to remember which painting it was from; The Temptation of St. Anthony , most likely.
    The landing accomplished, he cast again just as the planet Saturn, orange and bloated like a pumpkin, its rings whirring and making a noise like a mill-saw, fell and flattened everything from Notre Dame to the Champ de Mars. Luckily, no one was killed.
    Another strike. For a second, the river became a river, the fly rod a fly rod, and he pulled in a fish, a pickerel. Only this one had hands, and every time he tried to unhook it, it grabbed the hook and stuck it back in its own jaw, pulling

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