though she was dying so she exhaled a huge sigh of relief.
âHow long before she can come home?â Joya asked the nurse, who was trying to smother a smile.
âThat depends on Dr. Benjamin. Heâll want to see the test results, and depending on what he finds it could be as early as tomorrow.â
âDo you need anything, Gran?â Joya asked, realizing the sun was beginning to set.
âJust my quilting. They wouldnât let me take Elda Carsonâs work with me in the ambulance.â
âAnd a good thing, too. If youâre not released by tomorrow. Iâll bring it to you.â
âYes, please, and come around the time Dr. Ben is doing his rounds. Iâll need you to open the shop. We open at nine promptly.â
âYes, I know,â Joya said, rolling her eyes, and then she and the nurse exchanged conspiratorial looks. She had the feeling Granny J would be just fine. She had to be. Granny dying or infirm wasnât something she wanted to think about.
Chapter 2
A little before nine the next morning, Joya parked Granny Jâs car in the alley reserved for the shopkeepers. She found the house keys in the usual place, under the pot of geraniums on the porch, and let herself in through the side door.
The keys to the shop were exactly where Granny had said she would find them, hanging on a nail in the back of the closet. Joya tucked them in her purse and opened the windows to let the balmy ocean breeze in. Granny J did not believe in air conditioning.
Joya walked into the store, using the door separating the house from the shop. It never ceased to amaze her that the place was the same as she remembered it as a child. Nothing had really changed except for the peeling paint on the wall.
With a practiced eye, Joya looked around the four rooms that made up the store. The back room, originally a combined kitchen and dining area, was where the quilt guildâbeginners to more advancedâmet twice a week to develop their skills and work on their comforters. Occasionally the ladies sponsored public quilt shows to raise money for charitable causes.
This same room held a large oak table surrounded by stiff wooden chairs. In the corner were two comfortable Queen Anne seats. Sewing machines were all grouped in one spot, and everywhere the tools of the trade were visible. Reed baskets held thimbles, scissors, scraps of material and itsy-bitsy quilting needles that were called betweens.
The small cubicle was where Granny J had her office. On the other side of that room was a huge storage closet where she kept her fabric and batting.
What the general public saw was the big showroom up front with the enclosed porch facing the street. It was large and sunny with a slanted wooden floor. The walls here were in sad need of a fresh coat of paint.
Outside noises intruded as more and more storekeepers opened for the day. Granâs neighbors were, for the most part, a friendly bunch and everyone looked out for the others.
Joya made herself focus. What would she do if she were given leeway to perk the place up? Right now it reminded her of some crazy bazaar with jumbled bits of cloth everywhere. Most of the quilts were hard to see. And yes, some colorful tapestries hung from the walls, but the more expensive were folded in smudged display cabinets that could use a good polishing. Afrocentric patterns were hidden from the eye because of the way they were folded. Story quilts were displayed alongside more traditional quilts. The whole place was a mess.
Thrown on a huge brass bed that needed polishing were mosaic patchwork quilts, their hexagons sewn together to form intricate designs. Next to them were comforters depicting historical and biblical events, a style made famous by the nineteenth-century African-American quilt maker, Harriet Powers of Athens.
What Grannyâs place needed was order. Order and a big sprucing-up.
The store had huge rectangular windows that looked right out on
Doug Beason Kevin J Anderson