yetââ
âItâs been a fucking year!â
The yell startled Troy. Startled everyone.
âIâI know,â Troy stammered, âbut Iâm experimenting with a few things that are still Jell-O and I want to nail it down first.â
âOmigod, Troy,â said Zoe. There it was, that Valley Girl whine. âPeople usually say ânail down Jell-Oâ to mean somethingâs, like, impossible. Talk about mixing your metaphors. Youâre such a tool.â
Avi looked at Durbin, caught the struggling writer wincing up at him. When Durbin lowered his eyes back to his iPad, Avi suggested that the boys (freeloaders, he called them) go for a walk on the beach.
âI need to talk business with my director.â
The guys, all but Troy, shuffled out onto the back porch, Indian-filed down the steps to the sand. Zoe stood off in the kitchen, hand on a big hip, sipping a glass of cool filtered water from the fridge.
âYou have four weeks to turn in a cut,â Avi said.
âWhat?â
âYouâve put me in a very bad position with my investors. Four weeks, or your schoolboy ass is out of my house. And you pay me back every fucking penny, I donât care if you have to call your mother in Connecticut . . . Baby Boy Troy.â
Troy did a chilled take at the name, but then Avi was gone. Zoe finished her water, left the empty glass for the tenants to clean and put away. On her way out, she went to Troyâs desk, sorted through the color-coded strip board. âWe shooting Monday or not?â
âNot if it rains.â
âWeâre in Southern California, duh.â
âI think we got most of your stuff, Zoe. I know we want to do reshoots on the crying scene, but we have the rest of June.â
âEasy on the liposuction. If you cut anything, cut that little porn star youâre fucking. The redhead from Charlieâs house. She canât act her way out of a paper bag.â
Zoe left the house. Troy stood there, waiting to hear the door latch. âYeah, okay, Hepburn, you Armenian skank.â
Someone touched his shoulder and he started.
âDude,â Durbin said. âWhatâd he say?â
The young filmmakers were back inside, forming a loose huddle. âI think he threatened me,â Troy said.
âI told you,â T-Rich said. âThe guy is sketchy.â
âYou notice how heâs got a vampire accent?â Malone said. âI mean like a high-end vampire. The vampire one percent.â
âHeâs giving me four weeks.â
âOr what?â
âI donât know. But I think heâs tapped the phone. He knows what Alexis calls me, I mean her little nickname for me.â
âDog House is tapped ?â Malone said.
âWhatâs Alexis call you?â Durbin wanted to know. âIs it nasty?â
âThis sucks, man.â Troy clutched for more stale bread, then threw the empty bag.
Malone stood at the closet, checking on his surfboard. âWhat did the fourth Kardashian take out of our closet?â
âA yoga mat,â said Durbin. âTroy, what are you going to do?â
âIâm going nonlinear with the structure. Iâm going to baffle myself into an inspired work of lunacy. And then Iâm going to run.â
âNonlinear is six years ago,â T-Rich said, picking up Zoeâs water glass and examining the perfect lipstick on the rim.
âWell, you have any ideas for saving this piece of shit?â Troy looked at each of them. A dog barked at the waves outside; a woman called out to someone down the beach. The seagulls returned to the porch, determined. But not a single desperate idea from the Dogs of Entropy.
Then Malone had a brainstorm: âIâd just run, bro.â
3
MARINA DEL REY
The sun had been up for twenty minutes, but Louie Mo and Dutch âthe Clutchâ Dupree were just waking in the front seat. Theyâd spent