cellular biology, and if there had been, I would have avoided it. But I read that article and I knew that my book wanted to go into a mitochondrion.
So, I had to learn cellular biology. I had to learn a lot more cellular biology than actually appears in the book so that the cellular biology that is there would be accurate.
Iâm frequently asked about my âgreat science background,â but I have no science background whatsoever. I majored in English literature in college. We were required to take two languages and one science or two sciences and one language, so of course I took two languages and psychology. Part of my reluctance about science was that when I was in school, science was proud and arrogant. The scientists let us know that they thought they had everything pretty well figured out, and what they didnât know about the nature of the universe, they were shortly going to find out. Science could answer all questions. The most interesting thing I did in science was when I was in high school, where chemistry was a requirement for those going to college. The chemistry lab was in an old greenhouse, and one day while I was happily pretending to myself that I was Madame Curie, I blew up the lab.
Many years later, after I was out of school, married, and had children, the new sciences absolutely fascinated me. They were completely different from the pre-World War II sciences, which had answers for everything. The new sciences asked questions. There was much that was not explainable. For everything new that science discovered, vast areas of the unknown were opened. Sometimes contemporary physics sounds like something out of a fairy tale: there is a star known as a degenerate white dwarf and another known as a red giant sitting on the horizontal branch. Canât you imagine the degenerate white dwarf trying to get the red giant off the horizontal branch?
Then there are tachyons. Tachyons move at a speed faster than the speed of light, and for the tachyon, therefore, time moves backward, as it did for Merlin in The Once and Future King . The new sciences probe the universe with great imaginative leaps and nourish the world of story, of Letâs Pretend and Make Believe and Yes, But What If (but I suspect that a degenerate white dwarf would horrify some of the vigilante groups, and perhaps mitochondria do, too, boggling the timid imagination), with their joy in the loveliness of creation unfolding through the stars at night, the crystal uniqueness of snowflakes, the sense of reverence for much which cannot be exhaustively proved.
Disturbers of the universe do not always disturb it well, however, nor always for the benefit of humankind. Hitler was a great universe disturber. Khomeini is only one of a great many destructive universe disturbers all across the planet today.
So perhaps one of the most important jobs of the writer whose books are going to be marketed for children is to dare to disturb the universe by exercising a creative kind of self-censorship. We donât need to let it all hang out. Sure, kids today know pretty much everything that is to be known about sex, but we owe them art, rather than a clinical textbook. Probably the most potent sex scene I have ever read is in Flaubertâs Madame Bovary where Emma goes to meet her lover, and they get in a carriage and draw the shades, and the carriage rocks like a ship as the horses draw it through the streets. How much more vivid is what the imagination can do with that than the imagination-dulling literal description!
I do not believe that any subject is in itself taboo; it is the way it is treated which makes it either taboo or an offering of art and love. On my personal censorship scale, showing violence as admirable is taboo. Showing the sexual act as the only form of love allowed the human being is taboo. Back when the early human being lived in caves or in the trees, we had to breed aggressiveness into ourselves in order to survive. We had