neighborhood was likely to see, although they were treated from time to time to glimpses of the Oakland Athletics baseball team, which had a practice field in the park.
âThis Warren guy, he any good?â
âSupposed to be. He won the Best Documentary Oscar a couple of years ago for Native Peoples, Foreign Chains.â
âI didnât see that.â Kryzinskiâs movie tastes ran to Clint Eastwood and James Cameron.
âIt was about the Colonial practice of enslaving Native Americans and shipping them to work on sugar cane plantations in the Caribbean.â
âI didnât know we did that, sold Native Americas out of the country as slaves.â
âMost people donât.â I changed the subject. â Escape Across the Desert was due to wrap next week, but now that Ernst is dead, I donât know what will happen.â
âWrap?â
âFinish filming.â
One side of Kryzinskiâs lip lifted in a sneer. âLook whoâs gone Hollywood. Gonna buy yourself a Shitzer, now, or whatever those little dogs are called, and tool around in two-hundred-dollar sunglasses?â
âCome off it, Captain.â Just like old times, with Kryzinski sniping at me, me sniping back. Fortunately, Detective Kyle McKindroe, a friend from my own days in the department, emerged from the house and walked up to us.
Although middle-age, with years of experience under his belt, McKindroe looked green around the gills himself. âItâs pretty bad in there, Captain. Iâd say whoever did it wanted to get up front and personal.â
My thoughts exactly. The level of violence directed against Ernst hinted at a personal relationship between killer and victim. But while still in Ernstâs kitchen, I had noticed several drawers pulled out, and it was possible that Ernst merely interrupted an intruder, someone high on drugs. Addictsâ crimes tended to be messy. Visualizing the kitchen again, I remembered something. By rights, Rada Tesema, the Ethiopian care-giver who visited Ernst several days a week, should have discovered the body when he came over to cook breakfast before bringing Ernst to the set, as heâd promised. But Tesema was a no-show. Where was he?
While I stood there in thought, McKindroe went back in the house, leaving Kryzinski staring at me. âWhat?â
I liked Tesema, whom Iâd met on several occasions, and doubted if he had any violence in him. âWhat do you mean, âwhatâ?â
âI know that look of yours, Lena. What are you thinking about? That care-giver who never brought Ernst over to the set? Where the hell is he, anyway?â
I glanced toward the curb. Unless I was mistaken, the autoplex guy had resumed his badly timed sales pitch. As he slid hands along the Golden Hawkâs sleek hood, I heard snatches of spiel. ââ¦highly collectible classic gold-and-white two-toneâ¦T85 three-speed with overdrive manualâ¦two-hundred-seventy-five horsepowerâ¦â Beyond him and hurrying toward us was Fay Harris, reporterâs notebook in hand.
âHere comes Fay, Captain, closing fast.â
Kryzinski wouldnât allow me my evasions. âWhereâs the care-giver?â
âSorry. I donât know.â
He frowned. âOkay, letâs try it this way. Did Ernst have any enemies that you know of?â
Probably more than I could count. It would be hard to have a history of torpedoing American warships without incurring a few grudges. From what I had heard, Ernst had been unusually ruthless, even for a U-boat commander. The ugly rumor going around the set was that Ernst had a habit of shooting survivors out of the water, which was a war crime under the Geneva Conventions. But I wasnât ready to tell Kryzinski yet.
âEnemies? Why would an old manâan amputee, no lessâhave enemies? Look, Captain, if you want to know more about Ernst, talk to the people who worked with
Meredith Clarke, Ally Summers