aback, both by being spoken to at all and by being asked a direct question about the functional value of what she was buying, that she had simply shaken her head and shrugged. Being questioned about a purchase could ruin the moment so thoroughly that it never even occurred to Jane that it would be fun to shop with a partner. To have to discuss why the fabric squares and rickrack looked so appealing, to have to explain why one salt-and-pepper shaker appealed, but not the other, to have to convince someone that people really collected mechanical advertising pencils and that a shoebox full of them marked two dollars made perfect sense? The horror. The Donna of it all.
The doors opened and the first fifteen were admitted, handing over their tickets and entering the house like a greedy pack of dogs. Jane heard a man's voice behind her, angry about the number system. She turned to look at the source.
"Nine o'clock the paper says and nine o'clock we're here. What's the deal? Who you gotta…?" Jane turned around and tuned out the voice. Another new guy, Jane thought, Where do they come from? Aren't there enough dealers and pickers now? Can't we just close the tunnel and say, Sorry, full up?
Jane paused in the small tiled entry and tried to take in everything at once. The living room on her right held the tables with plates, glasses, stemware, and some pottery figures. A case next to the all-business card table with calculator and newspapers for wrapping the more fragile objects held finer jewelry, pocket knives, and small artifacts of eighty years on earth, sixty years in one house. Hat pins, tape measures in Bakelite cases that advertised insurance companies, their four-digit phone numbers recalling a time when one phone line was all anyone ever needed and the possibility of running out of numbers, creating new exchanges and area codes, would have been a joke pulled from a bad science fiction novel. Inside the case were several sterling silver thimbles, which gave Jane hope that there would be buttons. A seamstress hoarded buttons and rickrack and old zippers, tucked them away into basement drawers, and stuffed plastic bags full of them into guestroom closets. That Coates and Clarke seam binding might be right around the bend. In the corner of the cabinet were three gold initial pins from the 1940s. Jane stretched to read them, then realized she would not have to make up a name and fit it to the initials, "RN." A nurse, Jane thought. Perfect. Clean, well organized, good linens.
All this information and conjecture took no more than five to seven seconds to gather, while Jane got the lay of the land from the tiny foyer. She shook herself out of her reverie on the house's owner and took off in search of stuff.
The kitchen. Jane grabbed a seven-inch Texasware pink-marbled plastic bowl from a box under the table and held it up to the worker standing at attention, pencil in one hand, receipt book in the other. "Fifty cents?" she answered to Jane's wordless question. Jane nodded, and the woman scribbled it down, starting Jane's tab.
Jane filled the bowl with a Bakelite-handled bottle opener, a wooden-handled ice pick, and four small advertising calendars illustrated with watercolors of dogs. The calendars were from the twenties and the picture, POODLE WITH BOBBED HAIR, touched Jane's heart. They were also in perfect condition, taken from a kitchen drawer filled with Chicago city street guides from the thirties and forties, old phone directories, worn address books, some stray S & H Green stamps. Jane's heart filled with appreciation and desire as she realized just how much and how carefully this woman had saved.
Before she left the kitchen, Jane snatched up the oversized oak recipe file. She collected the wooden boxes sized for 3 × 5 cards, sorting buttons and gumball machine charms into them, but this box was more than twice that size and it was overflowing with handwritten cards, yellowing newspaper clippings, and stained
Jim Marrs, Richard Dolan, Bryce Zabel