She’d hung out on the set during my first episodes, wormed her way into Bing’s affections, bad-mouthed Venus, the original hair-and-makeup person, saying she made everyone look like drag queens, then offered her own services at bargain-basement prices. Bing gave her Mondays and Thursdays on a trial basis. Mondays and Thursdays were my work nights, so Fredreeq got to work on me and all three men, but not the other two women contestants. Venus, not happy about having her hours cut by a third, was now committed to one of “her” girls getting the audience vote, and had declared all-out war. Fredreeq was therefore heavily invested in me winning the
B.C.
contest. I myself wouldn’t have cared, if not for the health-care plan.
“Fredreeq,” I said, when my lips were my own again. “Annika hasn’t been around the set. That’s very weird. She considers this her second job, because Munich’s planning a German version of the show and Bing promised to recommend her as a coproducer when she goes home. It’s called
Biologische Uhr,
she talks about it all the time. Paul says—”
“I don’t care what Paul says.” Fredreeq waved a rabbit-hair makeup brush in my face. “I don’t know where this girl is and you don’t either. But we know where she isn’t, which is inside that restaurant, hiding in a basket of chicken fingers. So you put her out of your mind and get some heat going between you and Carlito. I know it’s not easy, with that piece of hair he’s got sticking up in front like a unicorn, but there’s a lot at stake here.”
Fredreeq’s worries were twofold: me winning the
Biological Clock
contest and the show finishing out the season. Our ratings were paltry, even for ZPX, where a 1.4 household rating was a big deal. We struggled for the million or so viewers reported to be watching us, and listened to rumors that ZPX planned to replace us with
Nearly Nude News.
Twenty minutes later, I sat alongside Carlito Gibbons in a Naugahyde booth, watching him pick at his cowlick, as Paul-the-assistant placed a bottle of sake between us, the label prominently displayed. Takei Sake was the show’s sponsor, and all six contestants drank sake, or tap water in sake cups, in every episode. Finally, Bing mounted the Betacam on his shoulder, hung over an adjoining booth like a toddler on an airplane, and started shooting.
Carlito, the youngest of the show’s contestants, was handsome in a class-president way. He came to life when he’d had some sake or when the camera was on him, speaking without hesitation on any topic, a talent that fascinated me. “I’m a paralegal,” he said, responding to the evening’s Biographical Question. “People don’t know the difference between a paralegal and a legal secretary. I’m more than a glorified file clerk. I draft the bones of the complaint, the lion’s share, only a few critical details of which are filled in by the attorney.”
“Hey, what’s the difference between an attorney and a lawyer?” I asked. Bing had given me strict orders not to let Carlito go more than three sentences without interrupting him.
Carlito brightened. “Good question. I like to say, Every law school graduate is an attorney, but it takes an outstanding attorney to be a
lawyer.
People don’t realize—”
“Cut!” Bing said. “Fine. Carlito, ask Wollie what she does for a living. Wollie, don’t mumble. Sparkle. Be sexy. Head up. And don’t look at the camera.”
I nodded, feeling awkward, and tried to smile at Carlito. “Well, Carlito, I design greeting cards. I have my own line, the Good Golly Miss Wollies—they’re alternative greetings, not the standard Happy Birthday to a Wonderful Nephew genre. Not that there’s anything wrong with those. Nephews need birthday cards. I just don’t do them. To supplement my income I’m painting a mural of frogs in the kitchen of a house in Sherman Oaks. Oh, and I’m working on getting a bachelor’s degree in graphic arts. I’m finding