lying down for a nap! At least leave him in peace until he comes downstairs. You know how badly he sleeps; let him rest while he can!â
âHe naps every day?â Dione asked, thinking that if he slept during the day, no wonder he couldnât sleep at night.
âHe tries to nap, but he usually looks worse afterward than he did before.â
âThen it wonât matter if we disturb him, will it?â Dione asked, deciding that now was the time to establish her authority. She caught a faint twitch of Richardâslips, signaling a smile, then he was directing her to the broad, sweeping stairs with his hand still warm and firm on her elbow. Behind them, Dione could feel the heat of the glare that Serena threw at them; then she heard the brisk tapping of heels as Serena followed.
From the design of the house, Dione suspected that all of the upstairs rooms opened onto the graceful gallery that ran along the entire U of the house, looking down on the inner courtyard. When Richard tapped lightly on a door that had been widened to allow a wheelchair to pass easily through it, then opened it at the low call that permitted entrance, she saw at once that, at least in this room, her supposition was correct. The enormous room was flooded with sunlight that streamed through the open curtains, though the sliding glass doors that opened onto the gallery remained closed.
The man at the window was silhouetted against the bright sunlight, a mysterious and melancholy figure slumped in the prison of a wheelchair. Then he reached out and pulled a chord, closing the curtains, and the room became dim. Dione blinked for a moment before her eyes adjusted to the sudden darkness; then the man became clear to her, and she felt her throat tighten with shock.
Sheâd thought that she was prepared; Richard had told her that Blake had lost weight and was rapidly deteriorating, but until she saw him, she hadnât realized exactly how serious the situation was. The contrast between the man in the wheelchair and the laughing man in the photo sheâd seen was so great that she wouldnât have believed them to be the same man if it hadnât been for the dark blue eyes. His eyes no longer sparkled; theywere dull and lifeless, but nothing could change their remarkable color.
He was thin, painfully so; he had to have lost almost fifty pounds from what heâd weighed when the photo had been taken, and heâd been all lean muscle then. His brown hair was dull from poor nutrition, and shaggy, as if it had been a long time since heâd had it trimmed. His skin was pale, his face all high cheekbones and gaunt cheeks.
Dione held herself upright, but inside she was shattering, crumbling into a thousand brittle pieces. She inevitably became involved with all her patients, but never before had she felt as if she were dying; never before had she wanted to rage at the injustice of it, at the horrible obscenity that had taken his perfect body and reduced it to helplessness. His suffering and despair were engraved on his drawn face, his bone structure revealed in stark clarity. Dark circles lay under the midnight blue of his eyes; his temples had become touched with gray. His once powerful body sat limp in the chair, his legs awkwardly motionless, and she knew that Richard had been right: Blake Remington didnât want to live.
He looked at her without a flicker of interest, then moved his gaze to Richard. It was as if she didnât exist. âWhereâve you been?â he asked flatly.
âI had business to attend to,â Richard replied, his voice so cold that the room turned arctic. Dione could tell that he was insulted that anyone should question his actions; Richard might work for Blake, but he was in no way inferior. He was still angry with Serena, and the entire scene had earned his disapproval.
âHeâs so determined,â Serena sighed, moving to herbrotherâs side. âHeâs hired