reflected-sound-as-of-underground-spirits . Is there any wine?”
“You must know that I am not without artifice where magic is concerned,” said Weasel. “Only last year did I—assisted by my friend there—part the notoriously powerful Archmage of Ymitury from his staff, his belt of moon jewels and his life, in that approximate order. I do not fear this reflected-sound-of-underground-spirits of which you speak. However,” he added, “you engage my interest. Perhaps you would care to tell me more?”
Bravd looked at the shape on the road. It was closer now, and clearer in the pre-dawn light. It looked for all the world like a—
“A box on legs?” he said.
“I’ll tell you about it,” said Rincewind. “If there’s any wine, that is.”
Down in the valley there was a roar and a hiss. Someone more thoughtful than the rest had ordered to be shut the bigriver gates that were at the point where the Ankh flowed out of the twin city. Denied its usual egress, the river had burst its banks and was pouring down the fire-ravaged streets. Soon the continent of flame became a series of islands, each one growing smaller as the dark tide rose. And up from the city of fumes and smoke rose a broiling cloud of steam, covering the stars. Weasel thought that it looked like some dark fungus or mushroom.
The twin city of proud Ankh and pestilent Morpork, of which all the other cities of time and space are, as it were, mere reflections, has stood many assaults in its long and crowded history and has always risen to flourish again. So the fire and its subsequent flood, which destroyed everything left that was not flammable and added a particularly noisome flux to the survivors’ problems, did not mark its end. Rather it was a fiery punctuation mark, a coal-like comma, or salamander semicolon, in a continuing story.
Several days before these events a ship came up the Ankh on the dawn tide and fetched up, among many others, in the maze of wharves and docks on the Morpork shore. It carried a cargo of pink pearls, milk nuts, pumice, some official letters for the Patrician of Ankh, and a man.
It was the man who engaged the attention of Blind Hugh, one of the beggars on early duty at Pearl Dock. He nudged Cripple Wa in the ribs, and pointed wordlessly.
Now the stranger was standing on the quayside, watching several straining seamen carry a large, brass-bound chest down the gangplank. Another man, obviously the captain, was standing beside him. There was about the seamen—every nerve in Blind Hugh’s body, which tended to vibrate in the presence of even a small amount of impure gold at fifty paces, screamed into his brain—the air of one anticipating imminent enrichment.
Sure enough, when the chest had been deposited on the cobbles, the stranger reached into a pouch and there was the flash of a coin. Several coins. Gold. Blind Hugh, his bodytwanging like a hazel rod in the presence of water, whistled to himself. Then he nudged Wa again, and sent him scurrying off down a nearby alley into the heart of the city.
When the captain walked back onto his ship, leaving the newcomer looking faintly bewildered on the quayside, Blind Hugh snatched up his begging cup and made his way across the street with an ingratiating leer. At the sight of him the stranger started to fumble urgently with his money pouch.
“Good day to thee, sire,” Blind Hugh began, and found himself looking up into a face with four eyes in it. He turned to run.
“!” said the stranger, and grabbed his arm. Hugh was aware that the sailors lining the rail of the ship were laughing at him. At the same time his specialized senses detected an overpowering impression of money. He froze. The stranger let go and quickly thumbed through a small black book he had taken from his belt. Then he said “Hallo.”
“What?” said Hugh. The man looked blank.
“Hallo?” he repeated, rather louder than necessary and so carefully that Hugh could hear the vowels tinkling
Tim Curran, Cody Goodfellow, Gary McMahon, C.J. Henderson, William Meikle, T.E. Grau, Laurel Halbany, Christine Morgan, Edward Morris