warm male sperm in me,
Hideously wary of death.
  I have been rooted wheatâ
A legless stalk hanging on the ground
While a destroyer roves
Nearer and always nearer: oblivious:
Twisting the wicked sickle in my rootsâ
An old man
Who destroys
Under a dancing sun.
1980/ 1934
FACES
For F. A.
I
So many masks, the people that I meet,
So many coloured facesâ
Carnival idols wagging in a lanterned street,
Plaster and pigment grimaces.
Not one but wears smooth porcelain for a frown,
Not one the livelong daytime,
Can I say: âHere lovelinessâ? or âHere walks guileâ?
Always beneath the smile
I know the apparatus of the bone,
The structure pinned with ligament,
The sliding gristle, coil of artery:
All, all, delicate, nimble, wired, machinery,
Snugly buttoned in
A supple glove of flesh,
A snake-smooth film of skin,
Smooth, smooth, flawless and bland as rubberâ¦.
II
And, if I smile
What can you see, what guess?
Your own, your little idiot uniformity
Reciprocates a perfect puppet nothingness;
A null collision of minute desires
Transliterated thus by muscle-playâ¦.
Behold,
Behold your mincing jowls a-swing on wires!
No, no. My friend
We are void idols still,
Ridiculous clicking dolls,
Mumming the silly ciphers of pretence:
Always intent to end
Our awful emptiness by alphabets.
Our speech, our hapless intercourse
Seems always just removed from actual sense.
Can you deny me that the laughter-mask
Clamps back upon itself to trace
Only the raving jaw-line of the skeleton?
That in your hanging face
A smile is an expression of despairs,
With mouth a hanging flap,
A slip of skin twiddled by subcutaneous hairs,
A juggling parody of what you say?
In fine,
Your mouthâs a letter-box,
A hippoâs bun-trap â¦
Your mouth, my friend ⦠and mine!
III
So many masks â¦
So very many facesâ¦.
Will you remember, then, when next we walk
Among the lanterns and the lights,
Among the half-light of your chance desires
We are but carnival idols stillâ
Poor rag-dolls twitched on wincing wires
Fingered by impulse?
A couple of barking cattle
With a fool rictus gouged upon our faces!
Will you remember as we yapp and boom
How poor a condolence
The formal utterance is
For being two bloody zeros,
Mnemotechnic heroes:
Sick hack-satires on meaning by Infinity,
With not one working sense
That does not illustrate our own
And all humanityâs impertinence?
1980/ 1934
LOVE POEMS
I
Lost, you may not smile upon me now:
You, nor that grey-eyed counterpart of you
Inhabiting the sunlight in still places:
Substant always in the netted moonshine.
âRememberâ is a lost cry on a wind:
A hollow nothing-heard,
Most memorable, in a deaf night
That does not heed.
I have forgot even, dear pagan,
The holding of hands, the beseeching,
Intolerable darling!
No more do the loose hands of devilry
Tangle your fingers like nets in my soul.
You ⦠I â¦
They are such very little facesâ
Flowers in a stippled moonshine
Only recalled when the moonâs a mad farthing,
The sky a december of steel.
II
I cannot fix the very moment or the hour,
But an inevitable sometime I shall meet
One face, your face among the faces,
Notice one step
Among the winding footfalls of a hollow street.
Perhaps at evening in smooth rain
That runs all silver-shod among the houses,
In a void gathering of men and women
Who tread their lives out on the jointed stones,
I shall be challenged by your smile again:
Your voice above the loaded gutterâs monotones.
Voice among voices â¦
Face among facesâ¦.
I cannot fix the moment, and my present clock,
The dandelion-puff, lies cruelly;
Yet, in the action of that hourâs surprise
What will you do, or I?
Catch hands and laugh upon each otherâs eyes?
Or will some imp of the spontaneous moment
Devise some other signal than this?
Shall I, perhaps, put hands upon