Christine Falls: A Novele
each other along their inflamed edges a tiny, horrible kiss. Clearly in his mind he saw again that moment in the photograph: the grass, the sunlight, the great hot trees, and the four of them striding forward, young and svelte and smiling. Where was it? Where? And who had been behind the camera?

2

    IT WAS AFTER LUNCH BY THE TIME HE COULD GET UP THE ENERGY TO drag himself into work. As he entered the pathology department, Wilkins and Sinclair, his assistants, exchanged an expressionless glance. “Morning, men,” Quirke said. “Afternoon, I mean.” He turned away to hang up his raincoat and his hat, and Sinclair grinned at Wilkins and lifted an invisible glass to his mouth and mimed drinking off a deep draught. Sinclair, a puckish fellow with a sickle of a nose and glossy black curls tumbling on his forehead, was the comedian of the department. Quirke filled a beaker of water at one of the steel sinks ranged in a row along the wall behind the dissecting table and carried it cautiously in a not quite steady hand into his office. He was searching for the aspirin bottle in the cluttered drawer of his desk, wondering as always how so much stuff had accumulated in it, when he spotted Mal’s fountain pen lying on the blotter; it was uncapped, with flecks of dried ink on the nib. Not like Mal to leave his precious pen behind, and with the cap off, too. Quirke stood frowning, groping his way through an alcohol haze back to the moment in the early hours when he had surprised Mal here. The presence of the pen proved it had not been a dream, yet there was something wrong with the scene as he recalled it, more wrong even than the fact of Mal sitting here, at this desk, where he had no right to be, in the watches of the night.
    Quirke turned and walked into the body room and went to Christine Falls’s trolley and pulled back the sheet. He hoped the two assistants did not see the start he gave when he found himself confronted with the corpse of a half-bald and mustached old woman, the eyelids not quite closed and the thin, bloodless lips drawn back in a rictus that revealed the tips of a row of incongruously white, gleaming dentures.
    He returned to the office and took Christine Falls’s file from the cabinet and sat down with it at his desk. His headache was very bad now, a steady, dull hammering low down at the back of his skull. He opened the file. He did not recognize the handwriting; it was certainly not his, nor that of Sinclair or Wilkins, and the signature was done in an illegible, childish scrawl. The girl was from down the country, Wexford or Waterford, he could not make out which, the writing was so bad. She had died of a pulmonary embolism; very young, he thought vaguely, for an embolism. Wilkins entered the room behind him, his crepe soles squeaking. Wilkins was a big-eared, long-headed Protestant, thirty years old but gawky as a schoolboy; he was unfailingly, excessively, infuriatingly polite.
    “This was left for you, Mr. Quirke,” he said, and laid Quirke’s cigarette case before him on the desk. He coughed softly. “One of the nurses had it.”
    “Oh,” Quirke said. “Right.” They both gazed blankly at the slim silver box as if expecting it to move. Quirke cleared his throat. “Which nurse was it?”
    “Ruttledge.”
    “I see.” The silence seemed a demand for explanation. “There was a party, upstairs, last night. I must have left it up there.” He took a cigarette from the case and lit it. “This girl,” he said, in a brisk voice, lifting the file, “this woman, Christine Falls—where’s she gone?”
    “What was the name, Mr. Quirke?”
    “Falls. Christine. She must have come in sometime last evening, now she’s gone. Where to?”
    “I don’t know, Mr. Quirke.”
    Quirke sighed into the open file; he wished Wilkins would not insist on addressing him by his name in that crawlingly obsequious way every time he was called on to speak. “The release form,” he said, “where’s

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