Charles.â
âYes, just.â
âWere you rude to anybody?â
âNot very. Not as rude as I felt like being.â
âWho to?â
âThe producer.â
âCharles, you canât afford it. Already youâll never get another job on Doctor Who .â
âI wasnât very rude. Anything coming up?â
âSome vacancies on the permanent company at Hornchurch.â
âForget it.â
âChance of a small part in a Softly, Softly .â
âPut my name up.â
âNew play at one of these new fringe theatres. About transvestites in a prison. Political overtones. Written by a convict.â
âItâs not really me , is it, Maurice?â in his best theatrical knight voice.
âI donât know what is you any more, Charles. I sometimes wonder if you want to work at all.â
âHmm. So do I.â
âWhat are you living on at the moment?â
âMy second childhood.â
âI donât get ten per cent of that.â
âNo. What else is new?â
âNothing.â
âCome on. Give us the dirt.â
âIsnât any. Well, except for the Sally Nash business . . .â
âOh yes?â
âWell, you know who the disc jockey was, for a start . . .â And Maurice started. He was one of Londonâs recognised authorities on theatrical gossip. Malicious rumour had it that he kept a wall-chart with coloured pins on who was sleeping with who. The Sally Nash case gave him good copy. It was the Lambton affair of the theatre, complete with whips, boots, two-way mirrors and unnamed âshow-business personalitiesâ. For half an hour Maurice named them all. Eventually, he rang off. Thatâs why he was such a lousy agent. Spent all his time gossiping.
By the Thursday morning Charlesâ mellowness felt more fragile. When he woke at nine, Frances had already gone to school. He tottered downstairs and made some coffee to counteract the last nightâs Beaujolais. The coffee tasted foul. Laced with Scotch, it tasted better. He drank it down, poured a glass of neat Scotch and went upstairs to dress.
The inside of his shirt collar had dark wrinkles of dirt, and his socks made their presence felt. Soon heâd have to get Frances to wash something or go back to Hereford Road and pick up some more clothes.
He sloped back downstairs. Francesâ Guardian was neatly folded on the hall chest. No time to read it at school. Organised read in the evening. It had to be the Guardian .
Charles slumped on to the Harrods sofa and started reading an article on recycling waste paper. It failed to hold his attention. He checked the television times and switched on Play School. The picture was muzzy. He started fiddling with the UHF contrast knob. The phone rang.
âHello.â
âCharles.â
âJacqui. Where on earth did you get this number?â
âYou gave it me ages ago. Said you were contactable there in the last resort.â
âYes. I suppose it is my last resort. Whatâs up?â
âItâs about Marius.â
âYes?â
âI tried to contact him again. Went to the house in Bayswater. It was a stupid thing to do, I suppose. Shouldâve left him alone. Should be able to take a bloody hint. I donât know.â
âWhat happened?â
âHe wasnât there. But this morning I had a letter.â
âFrom Marius?â
âYes. It wasnât signed, but it must be. Itâs horrid. Charles, Iâm shit-scared.â
âShall I come round?â
âCan you?â
âYes.â A pause. âWhy did you ring me, Jacqui?â
âCouldnât think of anyone else.â
After he had put the phone down, Charles switched off Play School . He took an old envelope from the table and wrote on it in red felt pen, âTHANKS. GOODBYE. SEE YOU.â Then he left the house and set out for Highgate tube