you?"
"Not just now."
He got his glass to his lips with shaky fingers, managed to drink without spilling any of the whiskey. "Colly's dead," he said.
"Yeah. I know."
"They killed him last night," Tommy said. "They shot him in the back."
"Take it easy, Tommy."
"He was my friend."
"He was my friend, too."
"Colly was a nice guy. Lousy goddamn cops had no right to shoot him like that."
"He was robbing a liquor store," I said.
"Hell he was!" Tommy said. He swiveled on the stool and pushed a finger at my chest. "Colly was straight, you hear that? Just like me. Ever since we both got out of Q."
"You sure about that, Tommy?"
"Damn right I am."
"Then who did do those burglaries in Glen Park?"
"How should I know?"
"Come on, you get around. You know people, you hear things. There must be something on the earie."
"Nothing," he said. "Don't know."
"Kids?" I said. "Street punks?"
"Don't know ."
"But it wasn't Colly? You'd know if it was Colly?"
"Colly was straight," Tommy said. "And now he's dead."
He put his head down on his arms again. The bartender came over; he was a fat man with a reddish handlebar mustache.
"You can't sleep in here, Tommy," he said. "You ain't even supposed to be in here while you're on parole."
"Colly's dead," Tommy said, and there were tears in his eyes.
"Let him alone," I said to the bartender.
"I can't have him sleeping in here."
I took out my wallet and put a five-dollar bill on the bar.
"Give him another drink," I said, "and then let him sleep it off in the back room. The rest of the money is for you."
The bartender looked at me, looked at the fin, looked at Tommy. "All right," he said. "What the hell."
I went out into the rain.
D. E. O'Mira and Company, Wholesale Plumbing Supplies, was a big two-storied building that took up three-quarters of a block on Berry Street, out near China Basin. I parked in front and went inside. In the center of a good-sized office was a switchboard walled in glass, with a card taped to the front that said Information. A dark-haired girl wearing a set of headphones was sitting inside, and when I asked her if Mr. Templeton was in she said he was at a meeting uptown and wouldn't be back all day. Mr. Templeton was the office manager, the man I had spoken to about giving Colly Babcock a job when he was paroled from San Quentin.
Colly had worked in the warehouse, and his immediate supervisor was a man I had never met named Harlin. I went through a set of swing doors opposite the main entrance, down a narrow, dark passage screened on both sides. On my left when I emerged into the warehouse was a long service counter; behind it were display shelves, and behind them long rows of bins that stretched the length and width of the building. Straight ahead, through an open doorway, I could see the loading dock and a yard cluttered with soil pipe and other supplies. On my right was a windowed office with two desks, neither occupied; an old man in a pair of baggy brown slacks, a brown vest and a battered slouch hat stood before a side counter under the windows.
The old man didn't look up when I came into the office. A foul-smelling cigar danced in his thin mouth as he shuffled papers. I cleared my throat and said, "Excuse me."
He looked at me then, grudgingly. "What is it?"
"Are you Mr. Harlin?"
"That's right."
I told him who I was and what I did. I was about to ask him about Colly when a couple of guys came into the office and one of them plunked himself down at the nearest desk. I said to Harlin, "Could we talk someplace private?"
"Why? What're you here about'?"
"Colly Babcock," I said.
He made a grunting sound, scribbled on one of his papers with a pencil stub and then led me out onto the dock. We walked along there, past a warehouseman loading crated cast-iron sinks from a pallet into a pickup truck, and up to the wide, doubled-door entrance to an adjoining warehouse.
The old man stopped and turned to me. "We can talk here."
"Fine. You were Colly's