BZRK Reloaded Read Free Page B

The DNA of a specific human, in
this case one Noah Cotton: Keats.
That DNA connection tied the biot to its creator, like a finger was
tied to a brain, like a sort of detached limb, a body part controlled by
his own mind. Move left. Move right. Jump. Strike. Run away.
Live.
Die.
The human DNA was most evident in the face of the biot. In
addition to blank, soulless insect eyes, each biot also had structures
that looked like human eyes, almost. Human until you looked closely
and saw that these were as blank and soulless as the spider eyes.
The intimate connection had a very major downside. A biot
wasn’t just a limb, it was an extension of the mind of its controller/
creator. Lose a biot and you would lose your mind.
That was why Vincent howled. Bug Man had beaten him in battle
and killed one of Vincent’s biots.
Noah kissed Plath, a kiss that was full of regret, and she accepted
it passively.
Down deep inside her brain where a scalpel could never reach,
Keats’s biots, K1 and K2, stood atop the Teflon fiber barrier that had
been built so painstakingly around the aneurysm. It was a bulging
artery, a thin spot, a swelling, like an overinflated balloon where the
blood might break out at any moment and tear apart the drum-tight
membrane to flood and destroy the brain tissue around it.
Pop.
A blown aneurysm could lead to anything from strokes to localized brain death to all-over, whole-body death.
The membrane was leaking. From Keats’s position it was a floor
not a wall—gravity meant very little at the nano level. A floor that
was gushing tiny red Frisbees, like a jet of licked cough drops. These
were the red blood cells, platelets. They shot up in a jet from a tiny
tear in the artery wall and floated off into the cerebral–spinal fluid,
where blood was normally not allowed.
Within that garden hose of platelets were things of a paler color
that looked like animated sponges, wads of mucousy goo—the white
blood cells, the pale soldiers, the defenders of the body.
Keats saw this through two sets of biot eyes. The biots saw each
other as well. And all the while, up in the macro, he was looking at
Plath as she stood, and he gazed with intense regret on the curve of
her breasts, and the narrowness of her waist, and saw—at least in his
imagination—many other details as well.
It was painful, wanting her this badly.
Keats’s two biots scampered to the stash of titanium fibers. The
fibers looked a little like strands of razor wire, each only about half
the length of the biot itself. The jagged edges allowed them to be
woven together. But care had to be exercised to avoid cutting into the
artery wall and making things far worse.
“Can’t you do two things at once?” She leaned into him and he
did not pull away. Her open mouth met his and her tongue found his
and he was breathing her breath, and his heart was pounding, pounding crazy crazy crazy.
His body, his bruised, battered, painfully taut body, did not really
give half a damn about doing the responsible thing but wanted very
much, very excruciatingly much, to just do, and it was almost beyond
his power to restrain himself and if she kept that up then things were
going to move forward to the next step, a step he wanted to take more
than he had ever wanted anything else in his sixteen years of life.
His words were a rasp and a groan. “Not those two things. No.
Not at once.”
He held her back, his hands on her arms, and really why the hell
were his arms taking sides with his brain when his body so clearly,
clearly, clearly had other ideas in mind?
“I don’t want to be paying attention with half my mind,” he managed to say.
Plath liked that. She didn’t want that to be his answer, but she liked
it anyway. Yes, he wanted it to be important. He wanted it to stay with
him forever. Keats was always …She stopped herself in midthought.
She didn’t know what he was always, did she? She barely knew him.
They had met just weeks ago. Not a single second