itself mindless of the consequences. Will Andrews retching in the tall grass of the valley where almost an entire herd of five thousand buffalo has been slaughtered embodies a historical America, initially young and gung ho, this new contest merely an opportunity to confirm all that supposed to be enduring and strong in the national character, but like this buffalo kill in a valley in Colorado, and like Vietnam and perhaps like Iraq, a sickening revelation of character is at hand. Or perhaps the absence of character. John Williams’s unflinching attention in
Butcher’s Crossing
to the mechanical madness of human behavior suggests man at one with nature—man’s nature—to be a horrifying prospect.
In 1984, shortly after the summer Olympics in Los Angeles, I arrived at the University of California at Irvine to continue my graduate studies. Oakley Hall—himself the author of an important western titled
Warlock
and nominated for a Pulitzer Prize in 1958—leaned across his desk and said to me, “You studied with John Williams. He wrote the finest western ever written.” A year later Cormac McCarthy’s
Blood Meridian: Or the Evening Redness in the West
would be published to give
Butcher’s Crossing
and
Warlock
some company in what was becoming a pantheon of western masterpieces.
—M ICHELLE L ATIOLAIS
BUTCHER’S CROSSING
...everything that has life gives sign of satisfaction, and the cattle that lie on the ground seem to have great and tranquil thoughts. These halcyons may be looked for with a little more assurance in that pure October weather which we distinguish by the name of the Indian summer. The day, immeasurably long, sleeps over the broad hills and warm wide fields. To have lived through all its sunny hours, seems longevity enough. The solitary places do not seem quite lonely. At the gates of the forest, the surprised man of the world is forced to leave his city estimates of great and small, wise and foolish. The knapsack of custom falls off his back with the first step he takes into these precincts. Here is sanctity which shames our religions, and reality which discredits our heroes. Here we find Nature to be the circumstance which dwarfs every other circumstance, and judges like a god all men that come to her.
Nature
, Ralph Waldo Emerson
Aye, and poets send out the sick spirit to green pastures, like lame horses turned out unshod to the turf to renew their hoofs. A sort of yarb-doctors in their way, poets have it that for sore hearts, as for sore lungs, nature is the grand cure. But who froze to death my teamster on the prairie? And who made an idiot of Peter the Will Boy?
The Confidence Man
, Herman Melville
PART ONE
I
The coach from Ellsworth to Butcher’s Crossing was a dougherty that had been converted to carry passengers and small freight. Four mules pulled the cart over the ridged, uneven road that descended slightly from the level prairie into Butcher’s Crossing; as the small wheels of the dougherty entered and left the ruts made by heavier wagons, the canvas-covered load lashed in the center of the cart shifted, the rolled-up canvas side curtains thumped against the hickory rods that supported the lath and canvas roof, and the single passenger at the rear of the wagon braced himself by wedging his body against the narrow sideboard; one hand was spread flat against the hard leather-covered bench and the other grasped one of the smooth hickory poles set in iron sockets attached to the sideboards. The driver, separated from his passenger by the freight that had been piled nearly as high as the roof, shouted above the snorting of the mules and the creaking of the wagon:
“Butcher’s Crossing, just ahead.”
The passenger nodded and leaned his head and shoulders out over the side of the wagon. Beyond the sweating rumps and bobbing ears of the mules he caught a glimpse of a few bare shacks and tents set in a cluster before a taller patch of trees. He had an instantaneous impression of