held in by a buttoned white waistcoat. His trousers were white; his boots had chaps that came to the knee; and in his one concession to civilian life, he wore a black top hat, which he was constantly raising to ladies he recognized or would like to recognize. Accompanied by the ever-present John Fox, he trotted down the steps of the amphitheatre, strode up to the cart, raised his hat to Anne Kellaway, shook Thomas Kellawayâs hand, and nodded at Jem and Maisie. âWelcome, welcome!â he cried, brusque and cheerful at the same time. âIt is very good to see you again, sir! I trust you are enjoying the sights of London after your journey from Devon?â
âDorsetshire, sir,â Thomas Kellaway corrected. âWe lived near Dorchester.â
âAh, yes, Dorchesterâa fine town. You make barrels there, do you?â
âChairs,â John Fox corrected in a low voice. This was why he went everywhere with his employerâto provide the necessary nudges and adjustments when needed.
âChairs, yes, of course. And what can I do for you, sir, maâam?â He nodded at Anne Kellaway a touch uneasily, for she was sitting ramrod straight, her eyes fixed on Mr. Smart, now up on Westminster Bridge, her mouth pulled tight like a drawstring bag. Every inch of her gave out the message that she did not want to be here or have anything to do with him; and that was a message Philip Astley was unused to. His fame made him much in demand, with too many people seeking his attention. For someone to display the opposite threw him, and immediately made him go out of his way to regain that attention. âTell me what you need!â he added, with a sweep of his arm, a gesture lost on Anne Kellaway, who kept her eyes on Mr. Smart.
Anne Kellaway had begun to regret their decision to move from Dorsetshire almost the moment the cart pulled away from their cottage, the feeling deepening over the week they spent on the road picking their way through the early spring mud. By the time she sat in front of the amphitheatre, not looking at Philip Astley, she knew that being in London was not going to take her mind from Tommy as sheâd hoped it might; if anything, it made her think of him even more, for being here reminded her of what she was fleeing. But she would rather blame her husband, and Philip Astley too, for her misfortune than Tommy himself for being such a fool.
âWell, sir,â Thomas Kellaway began, âyou did invite me to London, and Iâm very kindly accepting your offer.â
âDid I?â Philip Astley turned to John Fox. âDid I invite him, Fox?â
John Fox nodded. âYou did, sir.â
âOh, donât you remember, Mr. Astley?â Maisie cried, leaning forward. âPa told us all about it. He and Jem were at your show, anâ during it someone were doing a trick atop a chair on a horse, anâ the chair broke and Pa fixed it for you right there. Anâ you got to talking about wood and furniture, because you trained as a cabi-netmaker, didnât you, sir?â
âHush, Maisie,â Anne Kellaway interjected, turning her head for a moment from the bridge. âIâm sure he doesnât want to hear about all that.â
Philip Astley gazed at the slim country girl talking with such animation from her perch and chuckled. âWell, now, miss, I do begin to recall such an encounter. But how does that bring you here?â
âYou told Pa if he ever wanted to, he should come to London and you would help him set himself up. So thatâs what we done, anâ here we be.â
âHere you be indeed, Maisie, all of you.â He turned to Jem, judging him to be about twelve and of the useful age to a circus for running errands and helping out. âAnd whatâs your name, lad?â
âJem, sir.â
âWhat sort of chairs are those youâre sitting next to, young Jem?â
âWindsors, sir. Pa made