was becoming almost unbearable to own or even to look at, she eloped to Khulna with the nephew of the saw-mill owner. Hamid ground his teeth and an axe besides. For sixteen hot days and cool nights he sat between the two lemon trees that marked the entrance to the compound. For that time his only occupation was throwing stones at the piebald dogs that scavenged in the dump just beyond, and cursing his whore-pig daughter whose head would be severed the moment she came crawling back. Those nights, Nazneen lay awake listening to the rattling of the corrugated tin roof, starting at the owl calls that no longer sounded like owls but more like a girl felled by an axe on the back of her neck. Hasina did not come. Hamid went back to supervising the labourers in the paddy fields. But for a couple of thrashings given on only the slightest of provocation, you would not know he had lost a daughter.
Soon after, when her father asked if she would like to see a photograph of the man she would marry the following month, Nazneen shook her head and replied, 'Abba, it is good that you have chosen my husband. I hope I can be a good wife, like Amma.' But as she turned to go she noticed, without meaning to, where her father put the photograph.
She just happened to see it. These things happen. She carried the image around in her mind as she walked beneath the banyans with her cousins. The man she would marry was old. At least forty years old. He had a face like a frog. They would marry and he would take her back to England with him. She looked across the fields, glittering green and gold in the brief evening light. In the distance a hawk circled and fell like a stone, came up again and flew against the sky until it shrank to nothing. There was a hut in the middle of the paddy. It looked wrong: embarrassed, sliding down at one side, trying to hide. The tornado that had flattened half the neighbouring village had selected this hut to be saved, but had relocated it. In the village they were still burying their dead and looking for bodies. Dark spots moved through the far fields. Men, doing whatever they could in this world.
T OWER H AMLETS , L ONDON , 1985
Nazneen waved at the tattoo lady. The tattoo lady was always there when Nazneen looked out across the dead grass and broken paving stones to the block opposite. Most of the flats that closed three sides of a square had net curtains and the life behind was all shapes and shadows. But the tattoo lady had no curtains at all. Morning and afternoon she sat with her big thighs spilling over the sides of her chair, tipping forward to drop ash in a bowl, tipping back to slug from her can. She drank now, and tossed the can out of the window.
It was the middle of the day. Nazneen had finished the housework. Soon she would start preparing the evening meal, but for a while she would let the time pass. It was hot and the sun fell flat on the metal window frames and glared off the glass. A red and gold sari hung out of a top-floor flat in Rosemead block. A baby's bib and miniature dungarees lower down. The sign screwed to the brickwork was in stiff English capitals and the curlicues beneath were Bengali. No dumping. No parking. No ball games. Two old men in white panjabi-pyjama and skullcaps walked along the path, slowly, as if they did not want to go where they were going. A thin brown dog sniffed along to the middle of the grass and defecated. The breeze on Nazneen's face was thick with the smell from the overflowing communal bins.
Six months now since she'd been sent away to London. Every morning before she opened her eyes she thought, if I were the wishing type, I know what I would wish. And then she opened her eyes and saw Chanu's puffy face on the pillow next to her, his lips parted indignantly even as he slept. She saw the pink dressing table with the curly-sided mirror, and the monstrous black wardrobe that claimed most of the room. Was it cheating? To think, I know what I would wish? Was it not the