had as a matter of fact asked Ellen to come over after dinner and she had forgotten all about it, so now here they were all set to start drinking and they wouldnât be gone until after midnight.
âHi, Ellen, hi, Charley,â she called out suddenly. âIâll be out in a minute.â
Chapter 4
âWell, howâs the writing game?â Charley Flesch said.
âIâm practically retired. You know how it is with women who are supposed to look after your kids. First, theyâre wonderful, and then all of a sudden theyâre a bigger problem than the kids, a bigger problem than the bride, a bigger problem than marriage itself. You know you ought to fire her, but you donât do it, because you donât want to have to do all that work yourself, but the bride keeps telling you every night in bed what a dog the woman is with the kids, how she pretends to love them but actually hates them, how she keeps trying to teach them her idea of manners, how she is for ever comparing them with her own grandchildren who are so much more intelligent and handsome and well-behaved, and how she secretly slaps them because the little boy himself told her so, and then at last you give her a bonus and send her away, and thatâs what happened three months ago. So naturally Iâve been out of touch with the writing game. How are things in the barber game?â
âYouâd think it was the same thing,â Ellen said. âYouâd think being a barber and being a writer was the same kind of thing.â
âShut up, please,â Charley said cheerfully. âIâm drinking and Iâm happy. I know being a barber isnât thesame as being a writer, but neither is being anything else. Am I right, Dick? And since nothing is the same as being a writer, itâs just as much fun for a writer to compare notes with a barber as it is with anybody else.â
âExcept maybe with another writer,â Ellen said.
âNo,â Charley said. âDick donât like talking to other writers. How do I know? I read it in one of his books, the one you gave us for Christmas, Dick, Itâs right in there some place. You come right out in there some place and say you donât give a shit for writers. Pardon the expression, Ellen.â
âYou just shut up or talk clean,â Ellen said. âJust donât get too smart just because Dickâs not like other famous people.â
âShut up, for Godâs sake,â Charley said. âI was only quoting Dick. Am I right, Dick? I never knew writers used words like the words barbers use, but I know different now. I know at least one writer who uses the words barbers use. Dick is the one who said he donât give a shit for writers. It wasnât me.â
âNow you just stop it,â Ellen said. âItâs one thing for Dick to write something and another for you to say it. He probably meant something you donât understand.â
âWhat did you mean, Dick?â Charley said.
The man laughed, although he wished to God Daisy hadnât gone to work and asked them over tonight, because here they were, like two earnest and comiccharacters in a bad movie, each of them a little too impressed by his name because it was so often in the papers and because a name in the papers signified so much to them, and he said, âTo tell you the truth, youâre
both
right about that crack I made, but letâs talk about something that makes sense. Ellen, tell me about Ronald and Greta.â
âOh, theyâre the same as ever. God, the things they say, the things they do. Greta gets up from her nap this afternoon and says, âMama, why do girls have those?â You know what she meansâup hereâso I been reading them damn books that tell you all about everything and I figure Iâve got to tell her the real reason, but I just canât remember it, so finally I tell her itâs so you can