room, the living room. The rest of the house, abandoned and draped off, was falling down, with one wintry and windblown bathroom, the only place to relieve yourself, and no functioning bath. My grandparents fell into a stateof poor hygiene and care that would shock and repel me now. I remember my grandmother’s soiled undergarments, just washed, hanging on the backyard line, frightening and embarrassing me, symbols of the inappropriate intimacies, physical and emotional, that made my grandparents’ home so confusing and compelling. But I loved them and that house. My grandma slept on a worn spring couch with me tuckedin at her side while my grandfather had a small cot across the room. This was it. This was what it had come to, my childhood limitlessness. This was where I needed to be to feel at home, safe, loved.
The grinding hypnotic power of this ruined place and these people would never leave me. I visit it in my dreams today, returning over and over, wanting to go back. It was a place where I felt anultimate security, full license and a horrible unforgettable boundary-less love. It ruined me and it made me. Ruined, in that for the rest of my life I would struggle to create boundaries for myself that would allow me a life of some normalcy in my relationships. It made me in the sense that it would set me off on a lifelong pursuit of a “singular” place of my own, giving me a raw hunger that droveme, hell-bent, in my music. It was a desperate, lifelong effort to rebuild, on embers of memory and longing, my temple of safety.
For my grandmother’s love, I abandoned my parents, my sister andmuch of the world itself. Then that world came crashing in. My grandparents became ill. The whole family moved in together again, to another half house, at 68 South Street. Soon, my younger sister, Pam,would be born, my grandfather would be dead and my grandmother would be filled with cancer. My house, my backyard, my tree, my dirt, my earth, my sanctuary would be condemned and the land sold, to be made into a parking lot for St. Rose of Lima Catholic church.
THREE
THE CHURCH
There was a circuit we could ride on our bikes that took us completely around the church and the rectory and back alongside the convent, rolling over the nuns’ beautiful, faded blue slate driveway. The slightly raised edges of the slate would send vibrations up through your handlebars, creating tiny pulsing rhythms in your hands, bump—ump—ump—ump . . . concrete, then back aroundwe’d go again. Sleepy afternoons would pass with our winding in and out of the St. Rose compound, being scolded through the convent windows by the sisters to go home and dodging stray cats that wandered in between the church basement and my living room. My grandfather, now with nothing much to do, would spend his time patiently wooing these wild creatures to his side in our backyard. He could getnear and pet feral cats that would have nothing to do with another human. Sometimes the price was steep. He came in one evening witha bloody foot-long scratch down his arm from a kitty that was not quite ready for the love.
The cats drifted back and forth from our house to the church just as we drifted to school, to home, to mass, to school again, our lives inextricably linked with the lifeof the church. At first the priests and nuns were just kind faces peering down into your carriage, all smiles and pleasant mystery, but come school age, I was inducted into the dark halls of communion. There was the incense, the men crucified, the torturously memorized dogma, the Friday Stations of the Cross (the schoolwork!), the black-robed men and women, the curtained confessional, the slidingwindow, the priest’s shadowy face and the recitation of childhood transgression. When I think about the hours I spent devising a list of acceptable sins I could spout on command . . . They had to be bad enough to be believable . . . but not too bad (the best was yet to come!). How much sinning