not show it to anyone or tell anybody about it. Beyond thatââ He twisted his mouth disparagingly. âDo whatever it takes to convince you itâs genuine. Cut it open. Take it apart. There are plenty more where that came from. But no photographs, please. Or youâll never get another one to play with again.â
Then he was gone.
Alone, Leyster thought: I wonât open it. The best possible course of action would be ditch this thing in the nearest Dumpster. Whatever Griffin was peddling, it could only mean trouble. FBI probes, internal committees, censorship, death. He didnât need that kind of grief. Just this once, he was going to curb his curiosity and leave well enough alone.
He opened the cooler.
For a long, still moment, he stared at what was contained within, packed in ice. Then, dazedly, he reached inside and removed it. The flesh was cool under his hands. The skin moved slightly; he could feel the bones and muscles underneath.
It was the head of a Stegosaurus.
A gust of wind made the window boom gently. A freshet of rain rattled on the glass. Cars hummed quietly by on the street below. Somebody in the hallway laughed.
Eventually, volition returned. He lifted the thing from the cooler and set it down on the workbench, atop a stack of Journal of Vertebrate Paleontology reprints. It was roughly eighteen inches long, six inches high, and six inches wide. Slowly, he passed his hands over its surface.
The flesh was cool and yielding. He could feel the give of muscles underneath it, and the hardness of bone beneath them. One thumb slipped inadvertently onto the creatureâs gums and felt the smoothness of teeth. The beak was like horn; it had a sharp edge. Almost in passing, he noted that it did have cheeks.
He peeled back an eyelid. Its eyes were golden.
Leyster found himself crying.
Without even bothering to wipe away the tears, not caring if he were crying or not, he flipped open a workbook, and began assembling tools. A number four scalpel with a number twenty blade. A heavy pair of Stille-Horsley bone-cutting forceps. A charriere saw. Some chisels and a heavy mallet. These were left over from last summer when Susan Whatâs-Her-Name, one of the interns from Johns Hopkins, had sat quietly in the corner week after week, working with a komodo dragon that had recently passed away at the National Zoo to prepare an atlas of its soft tissues. Exactly the kind of painstaking and necessary work one prays somebody else will perform.
He swept the worktable clear of its contentsâbooks and floppies, a pair of calipers, paper cutter, bags of pretzels, snapshots from the digâand set the head in its center.
Carefully he laid out the tools. Scalpel, forceps, saw. What happened to those calipers heâd had out here? He picked them up off the floor. After a momentâs hesitation, he tossed the mallet and chisel aside. They were for speedy work. It would be better to take his time.
Where to begin?
He began by making a single long incision along the top of the head, from the edge of the beak all the way back to the foramen magnumâthe hole where the spinal cord leaves the braincase. Gently, then, he peeled away the skin, revealing dark red muscles, lightly sheened with silver.
Craniocaudal musculature , he wrote in the workbook, and swiftly sketched it in.
When the muscular structure was all recorded, he took up the scalpel again and cut through the muscles to the skull beneath. He picked up the bone saw. Then he put it down, and picked up the forceps. He felt like a vandal doing soâlike the guy who took a hammer to Michelangeloâs Pietà . But, damn it, he already knew what a stegoâs skull looked like.
He began cutting away the bone. It made a flat, crunching sound, like stiff plastic breaking.
The brain case opened up before him.
The stegosaurâs brain was a light orange-brown so delicately pale it was almost ivory, with a bright tracery of blood