Black Cherry Blues Read Free

and I ran away from the accident. But the guy run that stop sign. There wasn’t no way I could have avoided it. But it killed his little boy, man. That’s some hard shit to live with. I got out in eighteen months with good time.” He made lines on a napkin with his thumbnail.

    “A lot of people just don’t want to forget, though.”

    I didn’t know what to say. I felt sorry for him. He seemed little different from the kid I used to know, except he was probably ninety-proof most of the time now. I remembered a quote in a Newsweek story about Dixie Lee that seemed to define him better than anything else I had ever seen written about him. The reporter had asked him if any of his band members could read music. He replied, “Yeah, some of them can, but it don’t hurt their playing any.”

    So I asked him what he was doing now, because I had to say something.

    “Leaseman,” he said.

    “Like Hank Snow used to say, “From old Montana down to Alabama.” I cover it all. Anyplace there’s oil and coal. The money’s right, too, podna.”

    The waitress put his bourbon and water down in front of him. He drank from it and winked at her over his glass.

    “I’m glad you’re doing okay, Dixie,” I said.

    “Yeah, it’s a good life. A Caddy convertible, a new address every week, it beats collard greens and grits.” He hit me on the arm.

    “Heck, it’s all rock ‘n’ roll, anyway, man.”

    I nodded good-naturedly and looked through the service window at the Negro woman who was scraping my hash browns and chicken-fried steak onto a plate. I was about to tell the waitress that I had meant the order to go.

    “Well, I got some people waiting on me,” Dixie Lee said.

    “Like, some of the sweet young things still come around, you know what I mean? Take it easy, buddy. You look good.”

    I shook hands with him, ate my steak, bought a second cup of coffee for the road, and walked out into the rain.

    The wind buffeted my truck all the way across the Atchafalaya basin. When the sun came up the light was gray and wet, and ducks and herons were flying low over the dead cypress in the marsh. The water in the bays was the color of lead and capping in the wind. A gas flare burned on a drilling rig set back in a flooded stand of willow trees. Each morning I began the day with a prayer, thanking my Higher Power for my sobriety of yesterday and asking Him to help me keep it today. This morning I included Dixie Lee in my prayer.

    I drove back to New Iberia through St. Martinville. The sun was above the oaks on Bayou Teche now, but in the deep, early morning shadows the mist still hung like clouds of smoke among the cattails and damp tree trunks. It was only March, but spring was roaring into southern Louisiana, as it always does after the long gray rains of February. Along East Main in New Iberia the yards were filled with blooming azalea, roses, and yellow and red hibiscus, and the trellises and gazebos were covered with trumpet vine and clumps of purple wisteria. I rumbled over the drawbridge and followed the dirt road along the bayou south of town, where I operated a fish dock and lived with a six-year-old El Salvadoran refugee girl named Alafair in the old home my father had built out of cypress and oak during the Depression.

    The wood had never been painted, was dark and hard as iron, and the beams had been notched and joined with pegs. The pecan trees in my front yard were thick with leaf and still dripping with rainwater, which tinked on the tin roof of the gallery. The yard always stayed in shadow and was covered with layers of blackened leaves. The elderly mulatto woman who baby-sat Alafair for me was in the side yard, pulling the vinyl storm covers off my rabbit hutches. She was the color of a copper penny and had turquoise eyes, like many South Louisiana Negroes who are part French. Her body looked put together out of sticks, and her skin was covered with serpentine lines. She dipped snuff and smoked