Black Beech and Honeydew

Black Beech and Honeydew Read Free

Book: Black Beech and Honeydew Read Free
Author: Ngaio Marsh
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together and with a sickening threepenny piece that swelled horrifically between forefinger and thumb. Then everything swelled to become stifling and I awoke sobbing in my mother’s embrace. With a strangely logical determination, I learned to recognize this nightmare while I was experiencing it and trained my sleeping self to force the strangulated dream-scream that would deliver me.
    ‘I know,’ my father said. ‘I used to have it. Beastly, isn’t it, but only a dream. One grows out of it.’
    My cot with its wooden spindle sides was brought into my parents’ room. In it, on more propitious nights, I sailed and flew immense distances into slowly revolving lights, rainbow chasms and mountainous realms of incomprehensible significance, through which my father’s snores surged and receded. Asleep and yet not asleep, I made these nightly journeys: acquiescent, vulnerable, filled with a kind of wonder.
    There were day dreams, too, some of them of comparable terror and wonder, others cosy and familiar. I cannot remember a time when I was not visited occasionally, and always when I least expected it, by an experience which still recurs with, if anything, increasing poignancy. It is a common experience and for all I know there may be a common scientific explanation of it. It comes suddenly with an air of truth so absolute that one feels all other times must be illusion. It is not a sensation but a confrontation with duality. One moves outside oneself and sees oneself as a complete stranger and this is always a shock and an astonishment although one recognizes the moment and can think: ‘Here we go again. This is it.’ It is not self-hypnotism, because there is no loss of awareness as far as everyday surroundings are concerned: only the removal of oneself from the self who observes them and the overwhelming sensation of strangeness. It seems that if one held on to this moment and extended it one would make an enormous discovery but, for me, at least, this is impossible and I always return. Is this, I wonder, what was meant originally by being‘beside oneself’. It is an odd phenomenon and as a child I grew quite familiar with it.
    My grandmother considered that my religious observances were inadequate. When she came to stay with us she brought a Victorian manual which had been the basis of my mother’s and aunts’ and uncles’ dogmatic instruction. It was called Line Upon Line and was in the form of dialogue, like the catechism: Q. and A.
    ‘“Who,”’ asked my grandmother, beginning at the beginning, ‘“is God?”’
    I shook my head.
    ‘“God,”’ said my grandmother, taking both parts, ‘“is a Spirit.”’
    Reminded of the little blue methylated flame on the tea tray I asked: ‘Can you boil a kekkle on Him, Gram?’
    She turned without loss of poise to Bible Stories: to Balaam and his ass. I suggested cooperatively that this was probably a circus donkey. My father was enchanted.
    My grandmother told my mother that it was perhaps rather too soon to begin religious instruction and, instead, read me the Peter Pan bits out of The Little White Bird.
    When I was about twelve my father brought home the collected works of Henry Fielding. ‘Jolly good stuff,’ he said. ‘You’d better read it.’
    I began with the plays and was at once nonplussed by many words. ‘What is a “wor"?’ I asked my father who said I knew very well what a war was and mentioned South Africa. ‘This is spelt differently,’ I said, nettled. ‘It seems to be some sort of girl.’ My father quickly said it was a ‘fast’ sort of girl. This was good enough. I had heard girls stigmatized as being ‘fast’ and certainly these ladies of Fielding’s seemed to behave with a certain incomprehensible alacrity. My father suggested that I try Tom Jones. I did so: I read it all and also, since Smollett turned up at this juncture, Roderick Random. It bothered me that I could not greatly enjoy these works since David Copperfield, whom

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